"Everything is as it should be."

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Vice: A Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 3 out of 5 stars

My Recommendation: SEE IT. Although a cinematic misfire of sorts, it is worth seeing for the extraordinary performances and for the civics lesson.

Vice, written and directed by Adam McKay, is the story of the meteoric rise of former Vice President Dick and his Machiavellian use of power. The film stars Christian Bale as Cheney, with supporting turns from Amy Adams, Steve Carell and Sam Rockwell.

Vice is another one of those films of 2018 for which I had high hopes. I absolutely loved director Adam McKay’s last film, The Big Short, which brilliantly dissected the 2008 financial meltdown and I hoped that when he set his sights on Dick Cheney he would be equally effective in his vivisection of that worthy target. McKay proved with The Big Short that he was more than capable of turning a dense, intricate, complex and complicated topic into an entertaining and enlightening movie, a skill that would be desperately needed for a film about Dick Cheney.

Watching Vice was an odd experience as I found the film had multiple great parts to it, but on the whole, while I liked it, I didn’t love it and ultimately found it unsatisfying. I was so confounded by my experience of Vice that I have actually seen it three times already to try and figure out specifically why I feel that it missed the mark and is not the sum total of its parts. And yes…I realize that seeing a movie I don’t love three times makes me sound insane.

Why am I so interested in figuring out why Vice is not great, you may ask? Well, the reason for that is that Vice desperately needed to be great because it is such an important film for the times in which we live. Trump did not come out of nowhere…he is a fungus that grew out of the shit pile that was Nixon, Reagan, Clinton, Bush/Cheney and Obama…and as we all know, past is prologue, so if we don’t fully understand and integrate the lessons of Dick Cheney’s nefarious political career, we are doomed to stay stuck in the tyrannical rut in which we find ourselves.

Dick Cheney was a pivotal, behind the scenes player in American politics for four decades (70’s through the 00’s) and so bringing his sprawling yet mundanely bureaucratic career successfully to the screen is a massive and difficult undertaking. It is also an vital undertaking as the argument could be made, and Vice makes it, that Cheney’s underlying cosmology and his political and bureaucratic success are what has brought the U.S. and much of the world to the brink of collapse.

Sadly though, Vice is so structurally unsound as to be nearly untenable. McKay cinematically stumbles right out of the gate and makes some poor directorial decisions that lead to a lack of narrative coherence and dramatic cohesion that diminish the impact of this important movie.

I could not help but think of Oliver Stone as I watched Vice. Stone’s Nixon is an obvious cinematic parallel to Vice in that it is a bio-pic of a loathed political figure whose career spans multiple decades. The problem with Vice though is that McKay not only lacks Stone’s directorial skill and talent, he also lacks his testicular fortitude and artistic courage.

In Nixon, which is a terrific film you should revisit, Stone and his cinematographer, the great Robert Richardson, go to great lengths to show us Nixon’s point of view and perspective, and it works in drawing viewers into the man who otherwise may have repulsed them. Stone and Richardson occasionally used the technique of switching film stocks and going from color to black and white in order to distinguish Nixon’s point of view and to emphasize flash backs and time jumps. (Vice certainly could’ve used this sort of approach to make the time jumps it uses more palatable and cinematically appealing)

Of course, Stone was pilloried for his dramatic speculation in Nixon by the gatekeepers of Establishment thinking, but despite the critical slings and arrows, it was the proper creative decision. Stone turned Nixon into a Shakespearean character and we knew him and understood him much better because of it, which turned the film about his life into fascinating and gripping viewing.

Cheney, like his one-time boss Richard Nixon, is also cold and distant figure in real life, but McKay never emulates Oliver Stone and bridges that distance by using dramatic speculation in telling his story. McKay makes the fatal directorial error of only on the most rare of occasions allowing viewers into Dick Cheney’s head and giving them his distinct perspective and point of view. For the majority of the film the audience is forced to be simply spectators to Cheney’s villainy and not participants or co-conspirators, which undermines the dramatic power of the film.

The most interesting parts of the film are the two parts where we are actually given Cheney’s perspective and inner dialogue. The first time that happens is when we hear a voice over of Cheney’s thoughts as he meets with presidential candidate George W. Bush to talk about the Vice Presidency. In this scene we are given access to Cheney’s Macchiavellian musings about the man, Dubya, that he will use as an avatar to bring his dark vision to life, and it is intriguing.

McKay’s brief speculation of Cheney’s inner thoughts in the Bush scene propels the audience into Cheney’s head…which is where we should have been all along. We are then ushered out as soon as we arrive and are left with only a bird’s eye view of Cheney’s world until the final scene. Vice would have benefited greatly from McKay throwing the audience into Cheney’s head from the get go, but instead we get a rehash of Cheney’s greatest hits, or worst hits, depending on your political point of view, which is neither illuminating nor gripping. ( to be fair, McKay’s refusal to speculate on Cheney’s inner thoughts and motivations could be a function of the fact that Cheney is still alive and able to sue, but regardless of the reason, it does a terrible disservice to the cinematic enterprise)

McKay was obviously going to great lengths trying to be “historically accurate” in this bio-pic, but he falls into the trap of many, if not most bio-pics, in that he tries to recreate history instead of creating cinematic drama. McKay simply shows a series of well-known events in Cheney’s life (hey…remember that time Cheney shot somebody in the face!) without any new or interesting insights into them. In this way, Vice is less a drama/comedy than it is a docu-dramedy that merely skims the surface of its subject and re-tells history for those who already agree with its political perspective.

The biggest hurdle though in telling the story of Dick Cheney is…well…Dick Cheney. When your film’s lead character suffers from an egregious charisma deficit and has created a persona of impenetrable banality, you have quite a hill to climb. Besides mastering the art of dullness, Cheney is also an unlikable and politically despicable person, which only adds to the burden that this film must carry. Unlike in The Big Short, where McKay was able to use multiple characters to propel the narrative, each one different and interesting in their own right, in Vice, McKay is forced to have Cheney be the sole focus and driver of the narrative.

As vacant a character as Dick Cheney is, Christian Bale makes him a genuine human being. Bale disappears into Cheney and crushes the role to such an extent that he solidifies his place amongst the best actors working today. Bale’s confident use of stillness and silence is volcanically potent. There is no wasted motion with Bale’s Cheney, and it is when he isn’t saying anything that he is saying everything. Bale fills Cheney with very specific and detailed intentions that radiate off of him and penetrate his intended target with deadly precision.

The rest of the cast do outstanding work as well. Amy Adams is simply one of the best actresses on the planet and her work in Vice is a testament to that fact. Adams’ first scene as Dick’s wife Lynne is so dynamically compelling I nearly jumped out of my seat. Right out of the gate Adams tells the viewer everything we need to know about Lynne, she is smart, tough and will not put up with any bullshit. Adams’ Lynne is insatiable when it comes to power, and she is the Lady MacBeth behind Dick’s throne. Amy Adams has given a plethora of great performances over her career, but she has never been better than she is as Lynne Cheney in Vice.

Sam Rockwell is also outstanding, playing the cocksure but dim-witted poseur of a president George W. Bush. Rockwell plays Bush as an unwitting moron and dupe who is so stupid he doesn’t know how stupid he really is. Cheney’s manipulation of Bush is seamless and entirely believable with Rockwell playing the insecure second generation President. Rockwell never falls into caricature with his Dubya, and fills this empty man with a delightful and at times poignantly meaningful nothingness.

Steve Carell is also great as the enigmatic Don Rumsfeld. Carell morphs into the irascible political climber Rumsfeld with ease and shows a deft touch in making Rummy a genuine human being, a sort of arrogant fly boy whose wings never get permanently clipped.

All in all, the entire cast do great work with Bale, Adams and Rockwell all deserving Oscar nominations for their work, and Bale and Adams very much deserving of the trophy.

As much as Adam McKay won the casting room, he did have other failures when it came to filmmaking. I am sure it is no coincidence that McKay hired editor Hank Corwin to work on his film, as Corwin edited Stone’s Nixon as well. Surprisingly since he was so good on Nixon, Corwin’s editing on Vice lacks a cinematic crispness and is one of the weak spots of the film. Corwin repeatedly uses a black screen for transitions which I found broke the pace and rhythm of the film and scuttled any dramatic momentum. Of course, this is not all Corwin’s fault, as McKay may have demanded that approach, but regardless of why it happened, it happened and the film suffers for it.

Another issue with the film was the use of a narrator. Well, to be more clear, it wasn’t the use of a narrator, but the choice of the narrator and how that character fit into the story. Jesse Plemons, a fantastic actor, plays the role of the narrator but it never quite comes together. Plemons is fine in the part, but considering the amount of information that needed to be passed along to the audience, a more direct and straight forward narrator would’ve been a better choice. Once again, Oliver Stone comes to mind and his mesmerizing opening to his masterpiece JFK, where Martin Sheen (and phenomenal editors Pietro Scalia and Joe Hutshing) masterfully set the complex stage for everything that follows.

As much as I was frustrated by McKay’s direction, there were some moments of brilliance. McKay’s use of Alfred Molina as a waiter explaining the crimes of the Bush administration was absolutely magnificent. His expanded exploration of the idea of the “Unitary Executive” was smart and well done too.

Other sequences by McKay that were simply sublime were when McKay would show the global and life altering power of the Presidency. In one sequence we see Nixon and Kissinger having a discussion about their Vietnam and Cambodia policy…and then we see the catastrophic results of that policy on regular people. The same thing occurs in relation to Bush and Iraq in one of the finer cinematic moments of the movie, where all of the power politics in America reduce people half way around the world to cower under a table in fear for their lives.

There was one other scene that is worth mentioning, and not because it is so great, but because it reveals something nefarious about the film itself. In one scene where the principals of the Bush administration, Bush, Cheney, Rumsfeld, Powell, Rice etc., are debating whether to invade Iraq or not, there is a bit of dialogue which states in essence that Israel is opposed to the U.S. invasion because it will destablize the region. This is historically completely inaccurate and entirely at odds with reality. Why would Adam McKay put this bit of Israeli misinformation into his film that purports to tell the truth about the Bush administration? I think I know the reason why…but that is an uncomfortable discussion for another day.

In conclusion, as much as I wanted to love Vice because it shares my vision of the world and of the Bush administration, I didn’t love it. Cheney, like Nixon before him, should have been prosecuted and imprisoned for his crimes, instead of having his lackeys turned into exalted talking heads on MSNBC and CNN. If Vice were better made, if it were more coherent, cohesive and effective in its storytelling, it could have done to the Bush/Cheney administration, what The Big Short did to Wall Street…exposed them bare for the repugnant, amoral and immoral criminal pigs that they are.

Sadly, Vice doesn’t rise to the challenge, and so the historical myopia that pervades our current culture will persist and prosper. Liberals will continue to think everything was great before Trump and that Trump is responsible for all that is wrong in the world…and thus they doom themselves to repeat the cycle that brought us Trump in the first place. Just like Nixon gave us Reagan and Reagan gave us Clinton and Clinton gave us Bush/Cheney and Bush/Cheney gave us Obama and Obama gave us Trump…Trump will birth us another monster and it will devour us all unless we wake up and understand that it isn’t the individual that is rotten, it is the system that is rotting.

With all of that said, if you get a chance I do recommend you go see Vice, it is worth seeing for the exquisite performances of Bale, Adams and Rockwell alone. It is also worthwhile to see Vice to understand that as much as we’d like to blame others, be it Russians, Republicans or Democrats for all of our troubles, the truth is that Cheney bureaucratically maneuvered to give us the fascist tyranny for which we were clamoring. The fight is simply over who gets to control it the beast that is devouring us, and to see how much we can make selling rope to those who wish to hang us. My one solace to this national existential crisis is revenge, and the hope that I will get to see Dick Cheney and the rest of his gang at the end of one of those ropes before I die.

©2019

The Media Hates Conspiracy Theories…Except When They Don't

Estimated Reading Time : 6 minutes 38 seconds

KOOKS OF THE TINFOIL HAT BRIGADE

This week marks the 16th anniversary of the 9-11 attacks. Whenever the topic of 9-11 comes up in the establishment press, it is wrapped in the warm cloak of officialdom and protected by vociferous assaults upon "conspiracy theories" and their unhinged purveyors. What is odd is that even during the anniversary week of the attacks, actual 9-11 conspiracy theories rarely rear their head anymore, only the denunciations of them from authority figures in the media who over time have become all the more fervent and ferocious in their attacks upon them. At this point, the sight of the anti-9-11 conspiracy crusaders pontificating in the media is akin to watching a straw man tilting at windmills.

The anti-conspiracy forces in the press don't just deride 9-11 conspiracies but all "conspiracy theories", reshaping the term into an epithet meant to belittle and mock anyone who dare believe in such nonsense as a "conspiracy". Without fail, every year, the establishment news puts out an article that "scientifically" proves that anyone who believes in a conspiracy is a loser and kook who eats his own boogers and maybe other people's boogers too. Google "why do people believe in conspiracies" and you can see the same article repackaged year after year in different media outlets. NPR, Time, Newsweek, The New York Times, Scientific American, CNN, Business Insider, Research Digest and the Washington Post all have articles reinforcing the belief that anyone who believes in a "conspiracy theory" does so because they are uneducated, lack control in their lives, are emotionally and psychologically unstable and are also inherently more violent and dangerous. 

This belittling approach to conspiracy theories by the establishment press has been very effective, for anyone who wants to be allowed entry into the Kingdom of Those Who are Taken Seriously, knows not to "peddle in conspiracy theory". A friend of mine, a man in his seventies, is so indoctrinated by this thinking that whenever any sort of "conspiracy" is even remotely alluded to he simply says "now you're talking conspiracy theory" and abruptly ends the conversation. He is not alone, as I have had more conversations than I care to recall with people of all ages where people simply refuse to consider something because they label it a "conspiracy".

"SERIOUS PEOPLE" VS. CONSPIRACY THEORY AND MAGICAL THINKING

Kurt Andersen followed the pattern of these dismissive and presumptuous articles when he wrote a magnificently awful, bias confirming, self-aggrandizing piece titled, "How America Went haywire", in last month's The Atlantic magazine where he bemoaned America's descent into non-rationality and conspiracy theory. The piece is taken from Andersen's book on the same subject and if you don't want to read it I'll give you a quick summary, Andersen majestically gets on his pristine high horse and doesn't just tell kids of this generation, but kids of ALL generations, to get off his impeccably groomed, rational and science based, lawn. Andersen's thesis is basically that he and anyone enlightened enough to agree with him, like his establishment liberal friends in the media, are the smart, rational and noble ones who are caretakers of all knowledge, and aren't fooled by idiocies like conspiracy theories or, God-forbid...religion. 

Adam H. Johnson, did a thorough and wonderful job of eviscerating Andersen's lazy, lackluster and thoughtless piece, and I encourage you to go read his article before, or instead of, reading Andersen's insipid Atlantic piece. As I read Andersen's article I was struck by many things, and then when I read Johnson's takedown of the piece I recognized that he and I both had nearly identical thoughts about Andersen's screed. The first thought I had was…why did Andersen start his timeline for when things really went off the rails in terms of conspiracy theory and magical thinking, after the Iraq invasion without ever mentioning that debacle? This struck me as odd because the Iraq war was a gigantic moment when a conspiracy theory and magical thinking came together and were peddled to the American public as fact by those in authority in the government and the press. It seems to me that the Iraq war was a key moment in destroying the credibility of the news media and authority in the eyes of Americans, which made the public more likely to disbelieve "official stories" and start to believe "alternative stories". But then Adam Johnson enlightened me as to why Andersen skipped the Iraq war altogether in his jeremiad…Andersen's editor at The Atlantic, Jeffrey Goldberg, was a key player in the spreading of those false conspiracy theories regarding Iraq and 9-11, and is a neo-con who pushed hard the magical thinking of American empire in the middle east. In other words, Andersen sold out to his paymaster in order to get his piece published in The Atlantic, which will now act as a commercial for his new book. Needless to say, Andersen's credibility and intellectual integrity are entirely scuttled by his decision to ignore some of the more glaring examples of conspiracy theories and magical thinking in recent times.

It isn't just the graveyard of the Iraq war that Andersen whistles past, what about the other real conspiracies that happened in the same time frame that effected us all, like when Goldman Sachs and the other too big to fail banks conspired to defraud their customers and the country, along with mortgage lenders, ratings agencies and the regulators? And while we are on the topic, what about the magical thinking of trickle-down economics? Or the fed re-infalting bubble after bubble? Or neo-conservatism as an ideology? Apparently, according to the King of Rationality, Kurt Andersen, neo-conservatives are not like those foolish rubes who worship an invisible man in the sky. No, neo-cons, just like Kurt Andersen, worship the right God…namely, the dollar and American Empire, neither of which are targets of Andersen's lazy, shallow, pompous and self-serving diatribe. 

THE SCIENCE IS SETTLED

"Serious person" Kurt Andersen reminds me of another self-serving, self-styled rationalist of his same, decrepit generation, Little Bill Maher, who just like Andersen, despises religion and worships "science". The trouble is that Andersen and Maher's faith in science is fundamentally flawed. An example of this occurred a few months ago when Maher was arguing with a guest on his show about the Scooby-Doo/Russian story, and his guest said that there is no evidence to support the conspiracy claims, and Maher vociferously retorted, "The science is settled!! All 17 intelligence agencies say so!!". Little Bill, as always, was talking out of his ass, as "all 17 intelligence agencies" did not sign off on Russian interference, four of them did, and they only claimed that they were "asserting" this to be true, but did not provide one iota of evidence.

Maher's phrase, "the science is settled", stood out to me. Science is rarely, if ever, "settled". The fact that it was lost on Maher that science is always evolving is ironic, considering his admiration for Darwin. What Little Bill and his equally arrogant comrade Kurt Andersen also mis-understand about "science" is that just because something cannot be replicated in a laboratory doesn't mean it is impossible or isn't true, only that it has never been replicated in a lab. Science is, at its heart, fueled by the humbling acknowledgement that we as a species have very little understanding about ourselves, our world and our universe. Maher and Andersen's presumptuous vision of science is one of a near omnipotent force that has figured out just about 99.9% of everything that is knowable in the universe. The reality is that mankind knows next to nothing about itself, its world and this universe, but the adherents of scientism, like Maher and Andersen, are too enamored with their delusions of superiority to ever fully contemplate or grasp that inconvenient truth. 

In terms of conspiracy theory, Little Bill is no better than the rest of the establishment media. On a show this past spring, Maher was talking with former CIA operative, Malcolm Nance, about the Scooby-Doo/Russia story, and Little Bill proclaimed that the intelligence community had Kennedy killed because he had a "pussy problem", meaning that Kennedy was vulnerable to blackmail because he was such a philanderer. This statement was remarkable for a few reasons, the first of which is that it went completely unchallenged by the former CIA agent, Nance, with whom Maher was talking, which would indicate that he too agrees with Maher's assessment of Kennedy's assassination, which is an extraordinary revelation. The second interesting thing about it is that Maher, ever the rationalist, is a strident opponent of 9-11 conspiracies because of his hatred of Islam, so his aligning himself with not only the Russian conspiracy, but a JFK one as well, was noteworthy in that it was a glaring intellectual inconsistency. 

Of course, what was really happening was that Little Bill was willing to set aside his usual adherence and allegiance to "facts and science"  in order to confirm his bias against Trump and the Russians, and in a round about way, be in support of the intelligence agencies. Maher wasn't saying that the intel community assassinating Kennedy was a bad thing, he sounded all for it, and in so doing he came across like he was encouraging them to do the same thing to Trump.

Little Bill's exercise in confirmation bias is, just like Maher himself, entirely unremarkable, as it is standard operating procedure in the institutional press and media. Just watch the intellectual contradictions fly on cable news or in the newspapers without any mention of the obvious moral, ethical, political and mental gymnastics required to ignore the glaring hypocrisies hiding in plain sight. 

CONSPIRACIES DON'T EXISTEXCEPT WHEN THEY DO

What I find interesting about this approach on all things conspiracy, is that it is entirely emotionally driven and so transparently vacuous as to be absurd. The reality is that a "conspiracy theory" should not automatically be dismissed simply because it claims a conspiracy occurred. The truth is, conspiracies happen all the time. I am not saying Bigfoot shot Kennedy or that Hillary Clinton is a Lizard Person (…although..I believe that he probably did and she more than likely is…), but conspiracies do not just live in the realm of fantasy, but flourish right here in reality. For instance, people are routinely charged with and convicted of "conspiracy" to commit one criminal act or another all the time here in America. So when people automatically and instinctively label anything a conspiracy false, simply because it is a conspiracy, they are not only taking a shortcut to thinking, they are denying things that are observably true. 

9-11 conspiracy theories, in particular, seem to really rile the mainstream media and those in authority a tremendous amount. Any 9-11 theory that deviates from the "official story" as compiled by the 9-11 Commission, is deemed a threat to the establishment order and treated as such with attacks and ridicule in the form of the demeaning slur of "conspiracy theory". The problem with this approach, for anyone who cares about language or…God-fobrid, Truth, is that the "official story" of 9-11 is actually...a "conspiracy theory". According to the 9-11 Commission, Osama Bin Laden and his cohorts in Al Qaeda, CONSPIRED together in a cave in Afghanistan, to have 20 hijackers fly planes into various U.S. landmarks, killing thousands of Americans. When two or more people conspire to commit an act, that is a conspiracy, and in the case of 9-11, if you subscribe to the official story, then you are subscribing to a conspiracy theory, but you will never hear the media call the official 9-11 story a conspiracy or conspiracy theory.

The truth is most people just use the term "conspiracy theory" as a way to bludgeon a disquieting set of facts or ideas that are contrary to their ideology or worldview. There is a very clear example of this dominating the headlines and talk shows on cable news this very day…the Russian Election Meddling Story. Most people I know unquestioningly believe this story, that the Russian government colluded with the Trump campaign and interfered with the U.S. election, to be absolutely, 100% true, and it may very well be true, but people are believing it without ever even reading the Intelligence report that is the foundation from which all of the stories about the subject are based.

If the Russians did collude with Trump and interfere in the election, than that is most definitely a...conspiracy, but interestingly enough, the news media are very careful to not ever call the Russia story a "conspiracy". The establishment has so systematically and thoroughly degraded the word conspiracy that they cannot even use it when they are alleging an honest to goodness conspiracy in which they themselves actually believe. 

RACHEL MADDOW LOVES SCOOBY-DOO

A friend of mine, the incorrigible Johnny Steamroller, calls the Russian "meddling story" "The Scooby-Doo Story", because "meddling" is an amorphous, weasel-word term that lacks much needed specificity, and that in the old Scooby-Doo cartoon tv show, Scooby and his gang would always solve some crime and the perp would tell the cops he "would've gotten away with it if it weren't for those meddling kids!!" The Scooby Doo/Russian meddling story is interesting in terms of conspiracy theory because it is an "official" conspiracy theory and not an "alternative" conspiracy theory. That is the key to understanding the establishment media and their loathing or loving of a conspiracy theory. As gatekeepers for officialdom, the mainstream news will not counter any official conspiracy theory, but will eviscerate any alternative conspiracy theory. 

As a result of the distinction between official and alternative conspiracies, we get Rachel Maddow whole-heartedly embracing the Russian election conspiracy theory to the point that she makes Glenn Beck look like Walter Cronkite and Sean Hannity look like Edward R. Murrow. Maddow sees Russians behind every single thing that happens and furiously reports it as though she's found the Lindberg baby in the arms of Jimmy Hoffa. This should not be surprising though, as when it comes to the "officially" sanctioned Russian conspiracy theory, anything goes. Even the most stodgy of old school media entities have embraced the most batshit conspiracy peddlers in regards to the Russian story, one need look no further than the New York Times op-ed page where the certifiably insane Louise Mensch was allowed to write a pieceas proof of that.

Maddow may end up being totally right about Russia, and everything she is reporting true, but there has not been any solid, tangible evidence put forward to date to corroborate the claims of Russian interference she embraces. None. There was an Intelligence Report, that I wholeheartedly encourage people to go read (that Ms. Maddow tells her viewers to only read from select sections and not get bogged down in the details) that makes assertions that the Russian government tried to influence the 2016 election, but even that official report is completely devoid of evidence. That doesn't mean the story isn't true, it just means there is no evidence the story is true.

But that said, if you believe, as Rachel Maddow does, that the Russian government "meddled" in the election and colluded with the Trump campaign, then you believe in a conspiracy theory, that as of right now, has as much solid proof behind it as 9-11 being an "inside job" or the CIA assassinating Kennedy. Again, that doesn't mean those things didn't happen, it just means those things haven't been proven to have happened. 

EMOTION AS A WEAPON

Contrast Maddow's approach to the Russia conspiracy, an officially sanctioned conspiracy, to her approach to the Seth Rich murder - alternative conspiracy theory. Rich, a DNC staffer, was shot and killed at the height of the election season last year. The case is unsolved and what happened and who did it are unknown. Regardless of the void of information regarding the Rich case, Maddow, and the rest of her cohorts at MSNBC, are so opposed to any notion of a conspiracy in the Rich story that they are physically repulsed by it. The thread running through all of the anti-Seth Rich conspiracy reporting in the establishment press is that anyone who dare consider a conspiracy in the case is being cruel and vicious to the Rich family. These types of pleas to emotion by the media are giant red flags in terms of their credibility. Why should the media care if the family's feelings are hurt by people investigating the very mysterious death of Seth Rich, a case where no one knows what actually happened and who was behind his murder? And why is considering a conspiracy something that should never be contemplated ever again just because the family finds it offensive?

The same appeal to emotion occurred in regards to 9-11, when Maddow, in particular, and the establishment media in general, consistently claimed that anyone talking of conspiracies were being disrespectful to the memories of the fallen and their families. Even in the case of the JFK assassination, considerations for the Kennedy family were said to be of paramount importance to those in power and so if anyone asked why so many standard operating procedures were ignored, the establishment used the delicate feelings of the Kennedy family as an excuse for deviations from standard, or to hide documents or even destroy them (the autopsy notes etc.). 

The truth is that people may say they don't believe in conspiracy theories in general, but they will believe in a conspiracy theory as long as it acts as a piece of confirmation bias for their belief system or helps to alleviate their cognitive dissonance. If a conspiracy is useful to them, they will give it more credence than if it challenges their ideology. For example, the Scooby-Doo/Russia story is a conspiracy theory that confirms the bias of a lot of people on the left and in the establishment in regards to Trump's election victory, and may also help to reduce their raging cognitive dissonance. Being able to blame Russia for Hillary's defeat isn't just a salve for Mrs. Clinton, her adamant supporters or the media, all of whom have a great deal of humiliating egg on their faces, but it also allows all of these folks to avoid doing the thing we as human beings least like to do…namely, admitting we were wrong or that we made a grievous mistake. 

The Russia interfering in the election causing Trump to win narrative means that America isn't a nation that has lost its mind, Hillary wasn't as atrocious as she always has been and democrats weren't idiotic to have nominated her, and Clinton supporters and the media's instincts weren't as spectacularly wrong as they obviously were. Russia is a very convenient scapegoat for those looking to blame everyone but themselves for the election disaster that brought us President Trump. 

THE LADY DOTH PROTEST TOO MUCH, METHINKS

As I previously said, the Russian election conspiracy may very well be proven true. There is a long history of foreign governments meddling in other countries elections, the problem is that the country doing the meddling is usually the U.S. This is an inconvenient fact for those in the establishment, and is usually ignored or glossed over as "whatboutism" or "moral equivalence", two terms in vogue at the moment used to shut down debate. 

That said, there have been previous cases of election meddling in the U.S., but these examples are also uncomfortable to the institutional press because they undermine the narrative of the establishment and American democracy as being above reproach. One noteworthy example was when Nixon sabotaged LBJ's Vietnam peace talks in 1968, in order to keep the war going and increase his chances of winning the presidency. What is interesting about this bit of election meddling is that the establishment media is only talking about it now in order to equate Trump with Nixon. 

Another example of U.S. election meddling is one that the mainstream press will deride as a "conspiracy theory", but which is in reality a conspiracy fact, and that is Reagan's treasonous deal with Iran to keep the U.S. hostages imprisoned until after Reagan won the 1980 election. Go read Robert Parry's outstanding work on this topic as it will surely help you to see Reagan's America, and the media's adulation of him, in a new light. It will also help to give context to this past year's election and the possibility of Russian interference.

CONCLUSION

In conclusion, Official media go to great lengths to belittle conspiracy theories because they are seen as a threat to them and the established order they are committed to defending. The gatekeepers in the media are little more than stenographers to those in power, so when citizen journalists start stepping on their toes with questions those in authority would prefer not to hear, then the media kick it into high gear asserting their control over debate.

Just because something is a conspiracy, does not make it false, nor does it make it true. Each case should be studied and judged on the merits of the actual evidence. When judging the probability or possibility of a conspiracy, it is vital that we acknowledge our own personal predisposition's and biases and take them into account just as we take the veracity and amount of evidence into account. Know this, conspiracies happen, and the truth is that the most reliable theory of history is conspiracy theory, not the coincidence theory that the establishment hoists upon the public. 

The best bet regarding the current conspiracy du jour that the media won't call a conspiracy, the Scooby-Doo/Russian election story, is for the buyer to beware, not because the Russians are saints and Trump is a beyond reproach, but because the establishment and their shills in the media has been proven to lie over and over and over again…trusting them is a sucker's bet.

Regardless of whether a conspiracy has the imprimatur of officialdom or originates from an alternative source, it is imperative for us to demand clear-cut evidence and proof for or against whatever assertions are being made when people are trying to convince us of anything, especially when we are predisposed to believe what they are selling. Now…in that spirit, please go read the entire intelligence report on Russian election interference, especially the sources and methods section…you may find it very enlightening.

©2017