"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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TWIB Notes: Kirk, Kimmel and the Kommissars of Speech

This Week in Bullshit - TWIB NOTES

TWIB Notes this week is chock full of hot topics, but the main theme is freedom of speech. So…let’s get to it.

CHARLIE KIRK

Charlie Kirk, the Republican firebrand made famous for his on-site debates with college liberals, was assassinated on September 10, 2025 on the campus of Utah Valley University.

At the time of his killing Kirk was doing his thing…debating in public with less-than-intellectually-stellar liberals enraged by his political philosophy and their inability to navigate his debating style.

As someone who tries to spend as little time on social media as possible Charlie Kirk was not exactly someone I spent much time thinking about prior to his death.

I had seen a bunch of videos of him and he struck me as a talented political matador who would get coddled liberal fools into a frenzy by waving a red cape in front of them and then effortlessly dance around them as they furiously charged at him.

Watching Charlie Kirk get shot in the neck on video was a deeply unsettling thing. Watching many seemingly normal, regular liberal people react to Kirk’s death with unabashed glee was even more unsettling.

Look, I get that people were offended by the things Charlie Kirk said and believed…despite the fact that what he said and believed did not offend me…but what I don’t get is why people would cheer some dude who is not even in power, is not a politician, and controls next to nothing, getting killed in public.

The reaction to Kirk’s death, from lots of regular people and from the media, was disgusting. People cheering his slaughter are not just vile – but deeply sick. Why can’t we just disagree with someone politically and let that be enough? Do we really need to hurt them? To kill them? To spill blood? Good Lord.

The media response was even more ridiculous. I never watch cable news…the last time I did was when Trump was shot in the ear during the campaign, but watching CNN after Kirk’s assassination was a jaw-dropping experience.

The entirety of the coverage I watched on CNN was concern not over political violence and the killing of Kirk, but of the danger of how right-wingers responded. You would’ve thought that right-wingers being pissed that one of their own got gunned down were a major threat to civilization. When you contrast this with the “mostly peaceful protests” coverage of the George Floyd riots then you see how absurd and inane and totally tone-deaf it all is.

As for the actual assassination of Kirk I have a few thoughts…first off…I don’t know what happened…who shot what and from where and for what reason…but I do know this…the official story is, without question, absolute horseshit.

They’ve already come up with a new “magic bullet” theory and have exalted Charlie Kirk into a super-Saint with bones of steel that cannot let bullets pass through them and allowed him to save others while being killed himself…just absurd. The big question is - how does a guy get shot with a high-powered rifle and not have an exit wound? What the fuck is that all about?

Then there’s the indictment, which if you read it is riddled with inaccuracies and fallacies. And then there’s the unbelievable bullshit that is the text exchange from the alleged shooter to his alleged trans lover/roommate that feels like a fabrication from start to finish. And then there’s the “video coverage” where we see the alleged gunman but never with a gun and never in the place he was said to have done the shooting.

The bottom line regarding this assassination is that conspiracy theories will flourish around it (they already have) but they will only obfuscate the truth – which is most likely a very nasty conspiracy all its own.

Whatever comes out of this fucking pathetic and ridiculous FBI in the coming weeks and months, do yourself a favor and don’t believe a word of it.

JIMMY KIMMEL

Back in July I wrote a TWIB Notes column that touched upon the cancellation of the Stephen Colbert Late Night show at CBS and finished my discussion of that topic with the prediction “Colbert is not the last to get the boot…in fact, he’s only the first. Fallon, Meyers and Kimmel are dead men walking…and I have to say that unlike their comedy, that is something that makes me laugh.”

Well, well, well.

Jimmy Kimmel was suspended by ABC after saying that right-wingers were doing everything they can to make it seem like Charlie Kirk’s killer wasn’t one of them….or something to that effect.

Kimmel has always been a mystery to me. I never once saw The Man Show, and have never once during its entire 22-year run watched a single episode of Jimmy Kimmel Live.

The few times I’ve seen Kimmel, liked when he hosts an awards show, I have found him to be aggressively unfunny. He is not only devoid of comic ability but he’s also blessed with the charisma of a fly on week old shit.

The left has been more horrified by the suspension of Jimmy Kimmel than they were by the killing of Charlie Kirk…which to be honest is the funniest Jimmy Kimmel related thing to ever happen.

Right-wingers, ever true to their values (wink-wink), are ecstatic over Kimmel’s suspension and hope it is a permanent firing.

The reality is that Kimmel is not, and never has been, a free speech warrior. He, like many liberals, is only interested in his speech being free, and those that disagree with him being silenced.

Right-wingers who were so outraged by woke cancel culture during the Biden years, have spent their first year back in power going full on right-wing woke and cancelling anyone and anything that is even remotely anti-Zionist. By the way…Democrats have not done a single thing to stop the Republican jihad against anti-Zionists, they have in fact, encouraged it.

Kimmel, of course, would never say a bad word about his paymasters so Israel is not a topic he would ever discuss…so there’s a good chance he gets his gig back after a hiatus (his suspension was lifted a few hours after this article was originally published).

But the truth is this…regardless of politics or anything like that, late night talk shows are going away. None of them make money and none of them are worth the cost. All of their ratings are in the toilet and none of them hold any cultural cache anymore.

The other day I happened to watch an old clip of Norman Mailer and Gore Vidal having a half hour long cat fight on The Dick Cavett show some fifty-odd years ago.

The level of intellect, eloquence and the depth of that discussion was staggering compared to the toxically empty calories currently being fed to the public on cable news and late-night talk shows. Seeing American intellectuals like Vidal and Mailer go at each other was invigorating and depressing…invigorating because they were such sharp minds, and depressing because not only do we not have those types of debates anymore – we don’t even have intellectuals anymore.

Ultimately, whether Kimmel stays or goes is utterly irrelevant….which brings us to…

THE KOMMISSARS OF SPEECH

What makes the Kimmel case so interesting is that the allegation is that the government, at the behest of Trump himself, pressured ABC to suspend/cancel Kimmel. That action is, obviously, in direct violation of the First Amendment which guarantees the right to freedom of speech – and is remarkably similar to what the Biden administration did with social media companies in trying to silence dissent and debate over Covid policies and vaccines. Hmmmm.

But here’s the rub in the free speech debate…the debate over free speech is long over and free speech has most certainly lost.

For years we have been reduced to free speech debates in this country amounting to little more than “free speech for me but not for thee!”. So we get liberals wanting to cancel people who say things they don’t like, or in the case of Covid – people who don’t get vaccinated, and then we get right-wingers (notice I don’t call them conservatives because they conserve nothing but their own hypocrisy) doing the exact same thing – trying to ban flag burning, anti-Zionism, protests etc.

The truth is that freedom of speech was killed long ago. This past year we had a big furor because Trump was pissed at 60 Minutes and Paramount caved to the pressure in order to get a merger approved. But since we are so historically illiterate in this country no one seemed to remember this drama played out before with very similar results…back in the 1990’s when 60 Minutes refused to air a story that was highly critical of Big Tobacco for fear of lawsuits and loss of ad revenue. They made an excellent movie about that incident called The Insider…you should go watch it if you’ve never seen it – Michael Mann directed it and it stars Al Pacino and Russell Crowe.

60 Minutes has, for the last quarter century at least, but nothing but an intel community and military industrial complex mouthpiece that spews the most vacant and vapid of propaganda imaginable…it has been co-opted and is now a nefarious and insidious media machine that routinely deceives and divides.

Remember when the liberal New York Times were used as a propaganda weapon by the Bush administration in deceiving the populace regarding the threat from Iraq? I do.

I also remember when the liberal New York Times held a story about the Bush administration’s illegal surveillance of Americans for over a year until after Bush’s re-election. I also remember when the liberal New York Times refused to use the word torture and instead used the word “enhanced interrogation” at the behest of the Bush administration. I remember those things…but I am apparently in the minority.

Back in my day liberals dedicated to the value of free speech were rightly horrified when Big Tobacco silenced 60 Minutes, and when the Bush administration set-up “free speech zones” for protestors…the name of which more than implies that there are places in America where free speech is not allowed, and used Judith Miller as a pro-war propagandist.

But many of these same liberals were as silent as the grave while Saint Obama used the Espionage Act more times than every other president combined to prosecute whistleblowers and reporters.

These same liberals stayed silent when, under Obama, Edward Snowden was forced from his country after revealing the illegal surveillance state we all lived under. And were just as silent when, under Obama and Biden, Julian Assange was imprisoned for the crime of revealing the war crimes of the American government.

Freedom of speech was long a lynchpin of the liberal movement, but because many liberals who love freedom of speech stayed silent when Obama gutted our right to it, they then were conditioned to more easily sell out their values and ideals regarding speech in favor of genuflecting to the woke mob when it rose to prominence. Quickly over the span of less than a decade - freedom of speech was gone and in its place was the banner of being against “hate speech” – literally and figuratively. Liberal disdain for freedom of speech disintegrated so quickly and thoroughly that even the ACLU has disavowed it in purpose and practice.  

“Hate speech” (which is ironic considering it can be interpreted as meaning to hate – speech) became the favorite talking point of liberals everywhere…and I warned that labelling things hate speech, and wanting to ban hate speech, would lead to the destruction of free speech – but liberals didn’t care that they, as I told them, would eventually be hoisted on their own petard…or as I called it – foisted on their own retard!

Right-wingers have long made no bones about their desire to curb freedom of speech, but then freaked out when woke liberals wanted to curb right-wing speech.

And so, the cycle will continue on and on forever until some douchebag centrist (maybe Pete Buttigieg!!) comes along and Obama-style makes a compromise that in order to clamp down on hate speech and political violence we will do away with freedom of speech altogether. It’ll be just like the healthcare debate where a public option is never discussed and the big business republican option is the only option – thanks Obama!

To tie this up in a very messy bow, woke liberals have made the argument that hate speech is violence, and when speech is violence then it is logical to use actual physical violence to silence it…and thus we get Charlie Kirk not just being murdered, but his killing being celebrated.

I have long written on this subject (and will link some of those articles below), most notably about the argument from liberals in the wake of Trump’s first election about the efficacy of “punching Nazis”. Of course, the problems with punching Nazis are numerous…like who gets to decide who is a Nazi? And what if someone decides you’re a Nazi? And are Nazi’s allowed to defend themselves…and more so…can Nazi’s – like liberals punching – proactively defend themselves? And finally…punching people you label Nazis will only escalate into ultimately shooting people you label Nazis – people like Charlie Kirk.

Speech is not and never will be violence…violence is violence…and the only people who claim speech is violence are the ones who haven’t been punched in the face.

The bottom line is this, current free speech debate is a farce because both the left and the right have long ago sold out their ideals regarding speech and instead have used their power to silence their enemies.

The war for freedom of speech, and frankly the war for any of our “freedoms” is long over…and we all lost. The aristocratic oligarchy and intelligence and military industrial complex and globalist corporatocracy have won and now keep us as slaves in what is essentially an open-air surveillance state prison.

So fuck Jimmy Kimmel, and fuck 60 Minutes, and fuck the mainstream media and fuck social media and fuck our politicians and fuck the myopic fools who bought into the two-party system and all of its homicidal lies.

And fuck all of us while we’re at it…because we are just as much to blame for this disaster as anybody.

Charlie Kirk is dead and Jimmy Kimmel is out of a job…and the cold hard reality is that there are going to be many more who face a similar fate….and don’t kid yourself…there’s nothing we can do about it.

Links-

Weird Scenes Inside the Gold Mine

Caesar Americanus

The Tragedy of Charlottesville

Punching Nazis

©2025

Academy Awards Round-Up

A few notes about last night’s Oscar ceremony.

THE GOOD

First off, I won my Oscar pool…AGAIN. I got 19 out of 23 right. This continues my winning streak to an astonishing 36 years in a row. My goal from this point forward is to go undefeated in Oscar pools until I die…unfortunately that goal is very attainable considering the clock is ticking louder and louder until check out time for me.

Emma Stone winning Best Actress over the presumed favorite Lily Gladstone was a moment that had me cheering. I have no ill will towards Lily Gladstone, but the more I saw of her performance in Killers of the Flower Moon, the less I thought of it.

I did find it grating though that she seemed to be the front runner only because she was Native American and the Academy is addicted to all things Diversity, Equity and Inclusion. I assumed she’d win for that exact reason.

I was glad to be wrong because Emma Stone’s performance in Poor Things is utterly astonishing. It is one of the best performances in film in the last 25 years, if not longer. It is all-time great.

Considering that Stone is only 35 and already has two Best Actress Oscars, and frankly, should have a Best Supporting Actress one too for her work in The Favourite, reveals her to be the greatest actress of her generation.

She is also the type of actress who will continue to work and be effective past Hollywood’s usual due date regarding beautiful women…which is refreshing and exciting. I feel blessed to be alive to witness her rise to the throne of American movies.

Another moment that had me cheering was Jonathan Glazer’s acceptance speech when his film The Zone of Interest won Best International Feature.

Here is Glazer’s speech in full. He spoke nervously, but courageously.

“All our choices were made to reflect and confront us in the present — not to say, “Look what they did then,” rather, “Look what we do now.” Our film shows where dehumanization leads, at its worst. It shaped all of our past and present. Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation, which has led to conflict for so many innocent people. Whether the victims of October the — [Applause.] Whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist? [Applause.] Aleksandra Bystroń-Kołodziejczyk, the girl who glows in the film, as she did in life, chose to. I dedicate this to her memory and her resistance. Thank you.”

Glazer said what needed to be said…and I would have encouraged him to go even farther. But regardless, it took real balls to speak up in that room among many powerful Hollywood people who would despise what he had to say. Good for him.

Speaking of cheering, Ryan Gosling was runner-up to Robert Downey Jr. in the Best Supporting Actor race, but there is no doubt he won Oscar night last night…all of it.

Gosling’s performance of “I’m Just Ken”, that gloriously insidious ear worm from Barbie, was the highlight of the evening and in recent Oscar history.

Added to that, Gosling and Emily Blunt had a genuinely funny back and forth about Barbie versus Oppenheimer that was the comedic height of the night.

Gosling is going to win an Oscar (and maybe already should have) someday and a big reason why is that he charmed the pants off of the Academy last night. These people remember that sort of thing and try to reward it.

Speaking of rewards, John Mulaney, a comedian I am at best lukewarm on, presented the Oscar for Best Sound and did a stellar bit about Field of Dreams. I can almost guarantee that he is offered the hosting gig next year or the next few years.

I was pleased that Oppenheimer had a good night, and that Poor Things and even The Zone of Interest did too. Those were easily the three best movies of the year, so it is fitting they got the lions share of the awards.

I was equally pleased that The Boy and the Heron by Hayao Miyazaki won Best Animated Film, and that Godzilla Minus One won Best Effects. Miyazaki and Godzilla are my favorite Japanese imports!!

I admit I was pleasantly surprised that Barbie did not get any awards (besides best song – which wasn’t “I am Ken” oddly enough). Ryan Gosling aside, Barbie was a shitty movie. Poor Things was Barbie but smarter and better made.

I also have to admit that I was pleased that Killers of the Flower Moon did not receive a single award. I love Martin Scorsese. He is a Mount Rushmore filmmaker for me…but Killers of the Flower Moon is a mess of a movie. I’ve seen and heard people call it a “masterpiece” which is ridiculous. Anyone calling Killers of the Flower Moon a masterpiece is revealing themselves to be a fool and philistine.

Overall, the greatest thing about the show was that it started an hour early and dupes and dopes like me who live in fly over country could watch the festivities and not get to bed at some ungodly hour.

THE BAD

I have to say I just don’t get Jimmy Kimmel, and frankly never have. I know he has a late-night show, one which I’ve never seen, and used to host The Man Show, which I’ve never seen either.

Kimmel seemed to verbally stumble over his delivery of jokes all evening, which only added to the issues with the third-rate shlock he was trying to sell. I don’t care if a comedian is “offensive” or “edgy” or anything like that – in fact I prefer it…but I do care when they suck at what they do. And Kimmel sucks at what he does.

Speaking of something that sucks, the memorial segment once again was idiotic and poorly designed. The Academy fucks this thing up every year and every year it annoys me and astounds me.

This isn’t hard. Don’t have dancers and some string quartet playing IN FRONT of the screen showing the people who died because then you can’t see the names of THE PEOPLE WHO DIED. Just show a video montage with music playing over it. Problem solved. Fucking idiots.

Speaking of idiots…who thought it was a good idea to have an 83-year-old Al Pacino, giving out the Best Picture award at the end of the night?

Pacino has famously recounted the first time he went to the Oscars in the 70’s and he was stoned out of his mind and was glad he didn’t win because he didn’t think he could walk to the stage. I think the stoned Pacino from the 70s would’ve done a better job that octogenarian Pacino did last night.

Pacino looked like he was just roused from a deep sleep in a nursing home and pushed onto the stage with an envelope in his hands. I love Al Pacino, but I don’t need him doing vital work at any show, be it awards or otherwise.

Speaking of things that died, Melissa McCarthy and Octavia Spencer presented an award and attempted a comedy routine and it was like watching bowel surgery. Good lord this was excruciatingly not funny. Melissa McCarthy is usually pretty hysterical but holy shit did this bit bomb.

And finally…I am no fashionista, but what the fuck are people thinking when they choose dresses for this show? Da’Vine Joy Randolph is a terrific actress and a very deserving Best Supporting Actress winner last night, but she is a big woman and someone thought they should put her in some stupid puffy mermaid dress that makes her look even bigger. Ariana Grande is a tiny woman but they dressed her in the most buffoonish dress imaginable…she looked like a lap dog that had been thrown in a dyer for three cycles. Anyway, I will never understand why stylists can’t figure this stuff out.

Alright, that’s all I have for my brief thoughts on the 2024 Oscars. The bottom line is this…it could have been worse.

Stay tuned as later this week the greatest awards of all…The Mickeys™ and the Slip-Me-A-Mickey™ will be happening!! See you then!!

©2024

Death to 2020: A Review and Commentary

In a year ripe for satire, Netflix’s predictable mockumentary ‘Death to 2020’ is proof of comedy’s calamitous demise

The film’s tepid and establishment friendly comedic takes on 2020 feel like the final nail in comedy’s coffin.

Death to 2020 is the new Netflix mockumentary that sets out to humorously sum up the nightmare that was 2020. The film, which premiered on the streaming service on December 27th, recounts the actual terrible events of the past year and has fake experts played by actors such as Samuel L. Jackson and Lisa Kudrow on as talking heads to comedically comment upon them.

The makers of Death to 2020, Charles Brooker and Anabel Jones, are best known in the U.S. for their terrifically terrifying and unnervingly prescient sci-fi horror show Black Mirror. But U.K. viewers first got to know them from their more comedy-oriented projects like the “Wipe Series”.

Death to 2020 is much more like the Wipe Series than Black Mirror as it attempts to be a comedy. Unfortunately, it fails in that endeavor.

What makes Death to 2020 so irritating is that it has nothing unique to say and it doesn’t even say the same tired old stuff uniquely.

Granted, some of the jokes are mildly amusing, and some of the performances are good, Tracey Ullman as Queen Elizabeth II, Hugh Grant as a stuffy and ornery British historian and Diane Morgan as one of the top five most average people in the world, are well done. Others, such as Leslie Jones as a behavioral psychologist and Lisa Kudrow as a conservative spokeswoman, are decidedly not.

Ultimately the film has the comedic heft, impact and staying power of a snide and snarky tweet.  At best it resembles a high-end, star-studded 2020 version of one of those silly Best of the 80’s clip shows on VH1.

The biggest problem with Death to 2020 though is the problem with most comedy nowadays, in that it is such a suffocating and stultifyingly safe and painfully predictable exercise as to be frustrating and fruitless.

If you have seen a single monologue in the past year by any of the sanctimonious, self-righteous serfs to the establishment on late night tv, such as Jimmy Kimmel, Stephen Colbert, Jimmy Fallon, Bill Maher, Trevor Noah or John Oliver, then you’ve experienced the same impotent comedy of Death to 2020

The tired formula of the late night comedy eunuchs, where they flaccidly recite establishment-approved witticisms devoid of insight and edge, is dutifully replicated here just in mockumentary form.

The result is, not surprisingly, that there’s not an ounce of originality or profundity found in the hour and ten-minute film that is too long by roughly an hour.

Also clearly lacking from Death to 2020 is any semblance of comedic testicular fortitude as the usual safe targets are held up for ridicule. Of course Trump is pilloried because he is a walking punchline, as is clueless Joe Biden, who, amusingly, is referred to both as a “prehistoric concierge” and a ”civil war hero”, but obviously none of that is even remotely daring.

“Karens”, conservatives and anti-lockdown activists are also the butt of many jokes, but the equally golden opportunity to lambaste the illiberal left for laughs is never taken. For instance, the comedy rich environment of the Black Lives Matter movement is not mocked, and the “protestors” looting and burning businesses in the name of George Floyd don’t get taken to task either.

But most telling is that also absent from the comedy firing line are celebrities, like the highly hysterical dopes and dullards who vomited out the repugnantly self-serving “Imagine” and “I Take Responsibility“ videos.

By ignoring these subjects Death to 2020 reveals itself to be little more than just another pandering video compliantly committed to kissing the right asses and devoutly dedicated to never biting the hand that feeds it.

As George Carlin famously once said of the powerful in America, “it’s a big club and you ain’t in it!” But the establishment court jesters who made Death to 2020 either are desperate to become members or are already in the club, as their resolute refusal to challenge the status quo is a perfect representation of the sad state of comedy in 2020.

Yes, there are some notable exceptions, Dave Chappelle and Bill Burr being the most prominent, but beyond that, whether it be Stephen Colbert weeping on air like one of the buffoons he used to belittle, or Jimmy Fallon castrating himself with a cowardly apology for an allegedly offensive blackface bit from twenty years ago, or John Oliver’s pathetic pandering to wokeness, or Saturday Night Live’s fierce commitment to anti-comedy or any of the other mainstream comedians who have groveled and genuflected to those who hold the power in our culture, 2020 has been the absolute nadir for contemporary comedy.

The bottom line is that 2020 has been a most brutal year that may have changed our world forever but it is also rife with profound opportunities for humor. Unfortunately for us, 2020 may also have killed comedy, and Death to 2020 is its decidedly unoriginal and unfunny death knell.

My Rating: 2 our of 5 stars

My Recommendation: SKIP IT. Although at times mildly amusing, there is nothing original or noteworthy to see here.

A version of this article was originally published at RT.

©2020

Suffering Children as Propaganda

THIS ARTICLE WAS ORIGINALLY PUBLISHED ON MAY 11, 2017. DUE TO THE CURRENT SCANDAL OF ILLEGAL IMMIGRANT CHILDREN BEING DETAINED AND SEPARATED FROM THEIR FAMILIES, AND THE ENSUING MEDIA COVERAGE WHICH HAS USED THE PHRASE "BABIES IN CAGES" SO INCESSANTLY AS TO BE A MANTRA, I THOUGHT I WOULD RE-PUBLISH THIS PIECE AS IT SEEMS SALIENT TO THE CURRENT SITUATION.

Estimated Reading Time : 8 minutes 22 seconds

Lately, the media has been loaded with images of suffering children in different settings around the world. In some unfortunate cases, especially in the case of war, the imagery seems to be used as a form of propaganda. 

Last August Omran Daqneesh, a 5 year-old boy Syrian boy living in Aleppo, was wounded in a bombing alleged to be carried out by Russian or Syrian aircraft. Omran was photographed sitting in the back of an ambulance, covered in dust and blood. This gut-wrenching photo was soon on the front page of nearly every western newspaper and news channel.

The New York Times description of the photo is illuminating, “Omran, as he is carried from a damaged building in the dark, could be Everychild.“

This is what we do with the children in peril we see in photographs, we project ourselves, or our children into the same scenario, and this heightens our emotional connection and reaction. This is a normal, even healthy human response, the trouble is that it can leave us open to being manipulated by those who would exploit the suffering of children for their own means.

Similarly, in September of 2015 when Alan Kurdi, a 3-year-old Syrian boy, was photographed dead on a Turkish beach after drowning trying to escape the Syrian civil war. Viewers were left horrified at the sight of Alan’s limp and lifeless body lying still in the sand, and they emotionally projected their own children onto the scenario.

The most recent example of the “children in peril” narrative was on April 4th, when video of an alleged chemical attack in Idlib province in Syria came to light. The horrifying video showed young children gasping for air and others lying motionless, presumably dead. The video was impossible to escape in western media, just as it was impossible not to have an emotional connection to those children and a reaction to their torment.

The Times was right, Omran could be Everychild, so could Alan Kurdi and the children in the Idlib video, because that is how they are presented to us in the media, they are our children, and we react accordingly, directing our righteous anger at those we are told are responsible for their suffering, in this case, Assad and Russia. Of course, since we are reacting emotionally and not responding thoughtfully, we are more easily manipulated into directing our aggression at persons who may not be fully to blame.

In the Omran photo, our rage could have easily been directed at rebel fighters and ISIS who created that situation in Aleppo instead of the Russians and Assad. The same for Alan Kurdi, who was trying to escape civil war, which is the fault of many, including Assad, Turkey, Europe and the U.S. The photos of Omran and Alan were props used by the establishment press to sell a very specific narrative, one that we, in our vulnerable emotional state, would not even think to question.

The greatest example of this was the video of the attack in Idlib. Trump himself was manipulated into acting emotionally, rather than rationally. Trump told reporters, “I will tell you, that attack on children yesterday had a big impact on me – big impact. I’ve been watching it and seeing it, it doesn’t get any worse than that…even beautiful babies were cruelly murdered in this very barbaric attack.”

Since beautiful children had been killed, Trump impulsively reacted by launching “beautiful weapons”, as NBC’s Brian Williams described them, to attack an airbase killing 15 people, who one can safely assume, were once beautiful children themselves.

Blaming a villain helps us to transform the uncomfortable emotions evoked by these images into action. Action gives us catharsis and we are purged of the negative feelings that these images bring about. Trump did not like the way the video of the Idlib attack made him feel, so instead of deliberating and gathering all of the facts and evidence, he impetuously attacked Syria to quell his discomfort.

This is what happens when we react emotionally to things instead of thoughtfully respond, we are susceptible to being suckered by those who may try to manipulate us.  If Trump had thought rationally about the Idlib video, he would have realized that the rebels had already used a false flag chemical weapons attack in 2013, in order to try and draw the U.S. deeper into the conflict against Assad. The west blamed Assad back then too, but after emotions waned and reason waxed, the truth finally came out. Even though we are only a month past the Idlib attack, the same is happening regarding the facts of that case.

The dead giveaway that reveals the media’s deceitfulness regarding the use of children’s suffering as a political prop, is not just in the images they do show, but the ones they don’t.

The establishment press relentlessly pushed the picture of Omran on the public in order to demonize Assad and Russia, but deliberately ignored Hawraa, the 5 year old Iraqi girl who was the only member of her family to survive a U.S. led air strike on her home in Mosul. The video of Hawraa is just as emotionally wrenching as Omran’s picture, but it tells a story that contradicts the MSM’s narrative and undermines America’s sense of moral superiority over Russia and the Syrians.

VIDEO LINK

And what about 8 year-old Nora Al-Alwaki, the American girl shot in the neck and killed by Navy SEALs when they raided her Yemeni village on January 29, 2017? Nora was a “beautiful” little girl, and an American one. Why wasn’t her picture continuously streamed to the American public by the MSM? Instead of Nora, we were fed the widow of Navy SEAL Ryan Owens who was killed in the same raid. Trump’s bold-faced exploitation of Mrs. Owens was hailed as Trump’s first act of “being presidential”. I suppose he was acting like a U.S. president when he callously ignored Nora and the other Yemeni children killed.

Whenever a child in peril is used to sell a political agenda, particularly a violent one, this must give us tremendous pause. In many cases, however, there exists an altruistic reason for showing the suffering of children, and that is a way of preventing such things from happening again. 

Iconic images, like that of the “Napalm Girl” from the Vietnam war, for example, can at times wake America up to reality by breaking through the endless propaganda from the usual suspects, at other times though, similar images or stories can be manipulated by governments and the media for less noble causes.

 

At the same time, Hollywood utilizes our weakness for children in peril well. A perfect example is Steven Spielberg’s Schindler’s List. In the black and white film, there is a harrowing sequence where Nazi’s forcibly remove Jews out of the Krakow ghetto. The scenario is horrifying enough, but Spielberg uses a little girl wandering through the mayhem to elicit more tension in the viewer. The girl stands out from the surrounding chaos because she wears a red coat, which is distinct since it’s the only splash of color in the entire film.

VIDEO LINK

The girl in the red symbolizes the hopes, dreams and innocence snuffed out by the Nazi’s. The same is true when we see suffering children in the media, those images evoke in us deep feelings of empathy, sadness, and anger because those children symbolize our own hopes, dreams and innocence. Seeing graphic pictures of brutalized children leaves us thinking emotionally, not rationally, which is a good place to be when watching a film, but a bad place to be when operating in the real world.

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Last week, Jimmy Kimmel, host of Jimmy Kimmel Live!, delivered a heartfelt monologue tearfully recounting his newborn son’s struggle with a serious heart defect. Kimmel’s story was made all the more powerful because the usually sarcastic comedian struggled to maintain his composure throughout.

Kimmel, normally an apolitical comedian, ended his monologue by pleading to Americans from both sides of the political aisle to make sure children receive medical care regardless of their ability to pay for it. Kimmel poignantly ended his speech by saying, “No parent should ever have to decide if they can afford to save their child’s life.”

Suffering Children as Propaganda and the Jimmy Kimmel Story

WARNING : THIS ARTICLE CONTAINS SOME VERY DISTURBING PICTURES AND VIDEO OF WOUNDED AND DEAD CHILDREN. READER DISCRETION IS ADVISED.

Estimated Reading Time : 8 minutes 22 seconds

Lately, the media has been loaded with images of suffering children in different settings around the world. In some unfortunate cases, especially in the case of war, the imagery seems to be used as a form of propaganda. 

Last August Omran Daqneesh, a 5 year-old boy Syrian boy living in Aleppo, was wounded in a bombing alleged to be carried out by Russian or Syrian aircraft. Omran was photographed sitting in the back of an ambulance, covered in dust and blood. This gut-wrenching photo was soon on the front page of nearly every western newspaper and news channel.

The New York Times description of the photo is illuminating, “Omran, as he is carried from a damaged building in the dark, could be Everychild.“

This is what we do with the children in peril we see in photographs, we project ourselves, or our children into the same scenario, and this heightens our emotional connection and reaction. This is a normal, even healthy human response, the trouble is that it can leave us open to being manipulated by those who would exploit the suffering of children for their own means.

Similarly, in September of 2015 when Alan Kurdi, a 3-year-old Syrian boy, was photographed dead on a Turkish beach after drowning trying to escape the Syrian civil war. Viewers were left horrified at the sight of Alan’s limp and lifeless body lying still in the sand, and they emotionally projected their own children onto the scenario.

The most recent example of the “children in peril” narrative was on April 4th, when video of an alleged chemical attack in Idlib province in Syria came to light. The horrifying video showed young children gasping for air and others lying motionless, presumably dead. The video was impossible to escape in western media, just as it was impossible not to have an emotional connection to those children and a reaction to their torment.

The Times was right, Omran could be Everychild, so could Alan Kurdi and the children in the Idlib video, because that is how they are presented to us in the media, they are our children, and we react accordingly, directing our righteous anger at those we are told are responsible for their suffering, in this case, Assad and Russia. Of course, since we are reacting emotionally and not responding thoughtfully, we are more easily manipulated into directing our aggression at persons who may not be fully to blame.

In the Omran photo, our rage could have easily been directed at rebel fighters and ISIS who created that situation in Aleppo instead of the Russians and Assad. The same for Alan Kurdi, who was trying to escape civil war, which is the fault of many, including Assad, Turkey, Europe and the U.S. The photos of Omran and Alan were props used by the establishment press to sell a very specific narrative, one that we, in our vulnerable emotional state, would not even think to question.

The greatest example of this was the video of the attack in Idlib. Trump himself was manipulated into acting emotionally, rather than rationally. Trump told reporters, “I will tell you, that attack on children yesterday had a big impact on me – big impact. I’ve been watching it and seeing it, it doesn’t get any worse than that…even beautiful babies were cruelly murdered in this very barbaric attack.”

Since beautiful children had been killed, Trump impulsively reacted by launching “beautiful weapons”, as NBC’s Brian Williams described them, to attack an airbase killing 15 people, who one can safely assume, were once beautiful children themselves.

Blaming a villain helps us to transform the uncomfortable emotions evoked by these images into action. Action gives us catharsis and we are purged of the negative feelings that these images bring about. Trump did not like the way the video of the Idlib attack made him feel, so instead of deliberating and gathering all of the facts and evidence, he impetuously attacked Syria to quell his discomfort.

This is what happens when we react emotionally to things instead of thoughtfully respond, we are susceptible to being suckered by those who may try to manipulate us.  If Trump had thought rationally about the Idlib video, he would have realized that the rebels had already used a false flag chemical weapons attack in 2013, in order to try and draw the U.S. deeper into the conflict against Assad. The west blamed Assad back then too, but after emotions waned and reason waxed, the truth finally came out. Even though we are only a month past the Idlib attack, the same is happening regarding the facts of that case.

The dead giveaway that reveals the media’s deceitfulness regarding the use of children’s suffering as a political prop, is not just in the images they do show, but the ones they don’t.

The establishment press relentlessly pushed the picture of Omran on the public in order to demonize Assad and Russia, but deliberately ignored Hawraa, the 5 year old Iraqi girl who was the only member of her family to survive a U.S. led air strike on her home in Mosul. The video of Hawraa is just as emotionally wrenching as Omran’s picture, but it tells a story that contradicts the MSM’s narrative and undermines America’s sense of moral superiority over Russia and the Syrians.

And what about 8 year-old Nora Al-Alwaki, the American girl shot in the neck and killed by Navy SEALs when they raided her Yemeni village on January 29, 2017? Nora was a “beautiful” little girl, and an American one. Why wasn’t her picture continuously streamed to the American public by the MSM? Instead of Nora, we were fed the widow of Navy SEAL Ryan Owens who was killed in the same raid. Trump’s bold-faced exploitation of Mrs. Owens was hailed as Trump’s first act of “being presidential”. I suppose he was acting like a U.S. president when he callously ignored Nora and the other Yemeni children killed.

Whenever a child in peril is used to sell a political agenda, particularly a violent one, this must give us tremendous pause. In many cases, however, there exists an altruistic reason for showing the suffering of children, and that is a way of preventing such things from happening again. 

Iconic images, like that of the “Napalm Girl” from the Vietnam war, for example, can at times wake America up to reality by breaking through the endless propaganda from the usual suspects, at other times though, similar images or stories can be manipulated by governments and the media for less noble causes.

 

At the same time, Hollywood utilizes our weakness for children in peril well. A perfect example is Steven Spielberg’s Schindler’s List. In the black and white film, there is a harrowing sequence where Nazi’s forcibly remove Jews out of the Krakow ghetto. The scenario is horrifying enough, but Spielberg uses a little girl wandering through the mayhem to elicit more tension in the viewer. The girl stands out from the surrounding chaos because she wears a red coat, which is distinct since it’s the only splash of color in the entire film.

The girl in the red symbolizes the hopes, dreams and innocence snuffed out by the Nazi’s. The same is true when we see suffering children in the media, those images evoke in us deep feelings of empathy, sadness, and anger because those children symbolize our own hopes, dreams and innocence. Seeing graphic pictures of brutalized children leaves us thinking emotionally, not rationally, which is a good place to be when watching a film, but a bad place to be when operating in the real world.

Last week, Jimmy Kimmel, host of Jimmy Kimmel Live!, delivered a heartfelt monologue tearfully recounting his newborn son’s struggle with a serious heart defect. Kimmel’s story was made all the more powerful because the usually sarcastic comedian struggled to maintain his composure throughout.

Kimmel, normally an apolitical comedian, ended his monologue by pleading to Americans from both sides of the political aisle to make sure children receive medical care regardless of their ability to pay for it. Kimmel poignantly ended his speech by saying, “No parent should ever have to decide if they can afford to save their child’s life.”

Kimmel’s monologue soon went viral. When I saw it, it moved me very deeply. The accompanying pictures of his child with tubes and tape all over him affected me greatly. Had Kimmel played upon my emotions to manipulate me? I don’t think so. I believe Kimmel was sincere in his plea and wasn’t exploiting his son because Kimmel had nothing to gain by doing so. Not money, of which he has enough, or power, of which he has no need.

I’m sure I’m not alone in my reaction to Kimmel, being emotionally triggered by images of children suffering is human nature. The story changed the healthcare debate, and some republicans are now demanding any new health care bill must pass the “Kimmel Test”.

That said, there were some very harsh critics of Kimmel as well. Some right wingers assailed Kimmel for “exploiting” his young son to make a cheap political point. For example, former republican congressman Joe Walsh tweeted “Sorry Jimmy Kimmel: your sad story doesn’t obligate me or anybody else to pay for somebody else’s health care.”

The Washington Times ran an opinion piece by the aptly named Charles Hurt, which was titled “Shut up, Jimmy Kimmel, you elitist creep”. It was a vicious attack on Kimmel that ended with “if you were a decent person, you would shut your fat trap about partisan politics and go care for your kid, who just nearly died, you elitist creep.”

On the other side of the political spectrum, this past Friday I watched HBO’s Real Time with Bill Maher,  and Maher nearly gave me whiplash with his jumping back and forth on the issue of using children in peril to make a political point. Maher started his show by praising his good friend Jimmy Kimmel for sharing his story and chastising republicans for telling Kimmel’s baby to basically “go fuck himself.”

Less than five minutes later, interview guest John Kasich, the governor of Ohio, told Maher he was uneasy about legalizing marijuana (one of Maher’s pet issues) because of the dangers to kids. Maher quickly jumped on Kasich’s statement and indignantly retorted “Why do we have to bring kids into it?”

Mere moments after that, during a discussion on healthcare, Maher told his panel of guests, “One side (democrats) wants to tax rich people so babies don’t have to die and one side is more or less against that, let’s not let republicans off the hook on that!” He then finished by saying “People will die and republicans know it and it is a price they are willing to pay!” Not surprisingly, no one on the panel asked Maher why he had to bring kids into it.

Maher’s use of suffering children to make a political point, contrasted with his aversion to others using the same tactic, is standard operating procedure not just for late night comedians but for the Establishment media as well, and illuminates the power of the suffering child narrative and why those on the opposite end of that argument lash out so viciously against those that use it…it's because they know how effective it is.

In this case though, Jimmy Kimmel doesn't benefit by persuading people with his son's story, however, the same is not true of the U.S. government. 

So the next time a horrific photo of a child becomes a big story, stop, think rationally, not emotionally, and ask the question: who benefits? Maybe then we can halt the endless cycle of carnage that these images capture.

A version of this article was previously published on Tuesday, May 9, 2017 at RT.

©2017