"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

© all material on this website is written by Michael McCaffrey, is copyrighted, and may not be republished without consent

Follow me on Twitter: Michael McCaffrey @MPMActingCo

Paul Thomas Anderson Films - Ranked Worst to First

PT ANDERSON FILMS – RANKED

Paul Thomas Anderson’s newest film, One Battle After Another, hit theatres at the end of September and has garnered massive critical praise and generated a cavalcade of conversation.

I love any conversation that involves the films of Paul Thomas Anderson…so I thought I’d start another one…namely by ranking his films.

PT Anderson is my favorite current filmmaker. He is a unique cinematic genius, a brilliant writer and an extraordinary director of actors. All that said…he is for many, an acquired taste…one which I have certainly acquired. Which makes it all the more profound when I DON’T like one of his films.

Anyway…without further ado here is my list of PT Anderson films ranked worst to first. This list is…ALIVE. It can change not just everyday but sometimes every hour. For example, just in the course of writing this piece my top three films flipped back and forth at least three times.

So here is the list…let the debate begin!!

THE NOT-SO-GOOD

10. Hard Eight (1996)– Hard Eight is Anderson’s feature debut and while it is a decent film featuring a solid performance from the ever-reliable Philip Baker Hall, it is definitely as bit rough around the edges. It’s impressive for a debut but not a particularly good movie.

Available to rent or buy on Amazon Prime

9. Punch-Drunk Love (2002)– This was Anderson shifting gears into a less ambitious cinematic undertaking after the sprawling Magnolia and the decade spanning Boogie Nights. The film is devoid of ambition though as Anderson makes the calamitous decision to cast the grating Adam Sandler as his lead in this unusual and dark romantic comedy. That was a very poor decision.

Punch-Drunk Love is beautifully shot, of that there is no doubt, but the script feels cloying and trite and the lead performance from Adam Sandler is unbearably amateurish.

I know people who have Punch-Drunk Love ranked number one on their PT Anderson list…those people are idiots.

Currently streaming on the Criterion Channel

8. One Battle After Another (2025)– All the caveats apply regarding my feelings about One Battle After Another. I’ve only seen it once…and saw it on a shitty digital projector at the local cineplex – which just got new chairs but failed to get better projectors and sound systems – so now people can be comfy and cozy watching movies on their sub-par projectors!

Anyway…maybe my feelings about this movie will change after I see this movie a few more times or with a better projector…who knows? But after one less-than-cinematically-ideal viewing I was not a fan. To Anderson’s credit, it is a tremendously ambitious film, but I thought it failed by almost every metric…including the performances.

Currently in theatres

7. Licorice Pizza (2021)– This film is really gorgeous to look at but ultimately, it’s all empty calories as there is no meat on the bones of its story.

The bottom line is it’s a rather vapid “hang out” movie that ends up being rather forgettable despite some great scenes and sequences.

Currently streaming on MUBI

THE VERY, VERY GOOD

6. Inherent Vice (2014) – I, unlike many, absolutely loved this movie and found it to be a psychologically profound piece of work that felt like a fever dream.

Like One Battle After Another it is based on a Thomas Pynchon novel…unlike One Battle After Another it is exquisitely crafted and filled with rich metaphor.

It also features top-notch performances from Joaquin Phoenix and Josh Brolin…and is laugh out loud funny on occasion.

To me, the list of best PT Anderson films really starts here with Inherent Vice, an audacious arthouse gem.

Currently streaming on Amazon Prime

5. Phantom Thread (2017) – One of the more elegant, eloquent and dark relationship stories in cinema history, Phantom Thread features luminous craftsmanship – most notably its cinematography and wardrobe design.

It also features one of Daniel Day Lewis’ greatest performances as the persnickety Reynolds Woodcock. Leslie Manville and Vicky Krieps also give truly phenomenal performances in the film.

Phantom Thread is an often-overlooked Anderson film…but it shouldn’t be.

Currently streaming on Netflix

THE GREAT

4. The Master (2012) – Ok…the final four films on this list are out and out masterpieces in my mind.

The Master is a tour de force film that boasts two all-time great performances. Philip Seymour Hoffman is utterly amazing as the cult leader/con man Lancaster Dodd – it is one of Hoffman’s very best performances, which is saying quite a lot since he was one of the greatest actors of his generation.

Then there is Joaquin Phoenix as the lead Freddie Quell. Phoenix’s performance isn’t just the greatest of his career, it is the single greatest and most revolutionary piece of acting in modern cinema history. You may think that is hyperbole, but trust me, it isn’t. Phoenix re-invented the art of acting with this intricate and stunning performance.

The Master is a mesmerizing meditation on masculinity and the modern man, and it requires multiple viewings to fully flesh out its meaning…and it deserves as many re-watches and you can manage.

Currently streaming on Roku

3. There Will Be Blood (2007) – There Will be Blood is at the very top of this list on many…if not most…occasions, as it is a full-on masterpiece featuring both Daniel Day Lewis, cinematographer Robert Elswit, and in some ways PT Anderson, at their very, very best.

A dark brooding tale about capitalism, masculinity and America, There Will Be Blood is a dramatic powerhouse that devours everything in its path.

Day-Lewis brings all of his substantial power and acting prowess to bear on his role as Daniel Plainview…who, in case you didn’t know…is an oil man.

There Will be Blood is as intense, expansive, jarring and invigorating a film as you will ever see. A truly spectacular piece of cinematic art.

Available to rent or buy on Amazon Prime

2. Magnolia (1999) Magnolia is a bit of a controversial choice at number two as it was raked over the coals by critics and many fans back in the day. But the fact of the matter is it is the very best Robert Altman film ever made…and it wasn’t even made by Altman!

Magnolia features a cavalcade of top-notch performances, great writing, and some of the best editing in recent history…not to mention Robert Elswit’s glorious cinematography.

Tom Cruise of all fucking people, gives the very best performance of his career…and it is utterly amazing as Frank T.J. Mackey. Only PT Anderson could get Tom Cruise to be that great…and he really, really is that great in Magnolia.

Philip Seymour Hoffman too gives one of his best, most subtle, and most tender performances in the film as well.

I hadn’t seen Magnolia in quite some time and re-watched it this past week and it definitely still holds the same emotional power and melancholic mastery as it did when I first saw it 26 years ago.

Currently streaming on the Criterion Channel

1. Boogie Nights (1997) – As previously stated, There Will be Blood could easily be at this top spot, but the truth is that Boogie Nights is the PT Anderson film I have watched the most (I typically watch it at least once a year if not twice) and that I enjoy the most.

Seeing Boogie Nights for the first time back in 1997 was a religious experience for me – hell I was so enraptured by the movie I even wrote a paper on its symbolism and cinematography back in film school! It is a masterfully constructed film with a complex sensibility, a funny bone and devastating dramatic punch.

Boogie Nights announced PT Anderson as THE guy to watch in moviemaking and part of the joy of watching it was experiencing the giddiness of expectation for the unknown PT Anderson films to come.

Boogie Nights itself gets the very most out of actors like Burt Reynolds (a resurrection project – Burt gives his career best performance) and Mark Wahlberg (also giving his career best performance).

Then there is the unbelievably fantastic cast – Julianne Moore, Heather Graham, John C. Reilly, Don Cheadle, Luis Guzman, Philip Seymour Hoffman, Philip Baker Hall, Melora Walters, Thomas Jane, Alfred Molina and William H. Macy – all of whom are superb and give pitch perfect performances.

A great cast, a scintillating script, Elswit’s stunning cinematography and Anderson’s audacious direction make Boogie Nights his best film (at least for today), and most watchable – and re-watchable, and my favorite, film.

Currently streaming on Paramount +

Quibble all you want…but this is the official PT Anderson film ranking list!! If it makes you angry, that’s okay…because the list has probably already changed in the fifteen minutes after I wrote it.

In looking over Anderson’s filmography the thing that stands out the most to me…besides the glorious cinematography and usually inspired writing…is that Anderson is able to get the very best out of the very best actors around. You’d think that is an easy thing to do…but it isn’t.

Daniel Day-Lewis in There Will Be Blood and Phantom Thread, Joaquin Phoenix in The Master and Inherent Vice, Philip Seymour Hoffman in Boogie Nights, Magnolia and The Master, Tom Cruise in Magnolia…and on and on and on.

PT Anderson isn’t just mandatory viewing for lovers of cinema and hopeful filmmakers, he is mandatory viewing for actors of all stripes and at every stage of their career. Beginner or old pro, actors everywhere can learn boatloads just by carefully watching PT Anderson films and seeing how a master director can elicit supreme performances from the entirety of his cast.

Alright…enough of my rambling…thanks for reading and hopefully I’ll see you at a screening of One Battle After Another where I try and catch the fever for this film which has thus far avoided me.

©2025

Hurricane Joaquin : Top Five Joaquin Phoenix Performances

The tv newsman with the impeccable hair and the vacant eyes is telling me that Hurricane Joaquin is tempestuously coming to a boil out in the Atlantic. Hurricanes and blizzards are the only time that weather is taken away from the tv weather person, be they the disingenuously jovial and cringe worthy comedy type of "weatherman", or the impossibly built and erotically charged type of "weather girl" (notice the term is 'girl' and not 'woman', no 'woman' over 23 need apply), and given to the vapid, dead-eyed mannequin that mindlessly reads the teleprompter every night, otherwise known as the "anchor person". As weatherman Schecky Numbnuts or Barbarella Bombshell slouches off in a darkened corner of the tv studio, no doubt rueing their plight, Johnny Handsome moves his fantastically whitened teeth up and down and tells me that Hurricane Joaquin is a powerful and unpredictable storm that is potentially on its way to ravage the eastern seaboard of the United States. I turn the sound off to avoid listening to the monotonous prattling of the orange faced man with the strenuously somber look, who deep down is praying that the Hurricane death count rises high enough so that the story will have 'dramatic resonance' with viewers and advertisers. 

Even with the sound off I cannot escape Hurricane Joaquin, as updates flash across the bottom of the screen. I chuckle every time I see the name Hurricane Joaquin crawl across on the news scroll, because I think of another Joaquin, the polar opposite in every way of the insincere Johnny Handsome, the enigmatic actor Joaquin Phoenix. Joaquin Phoenix may be the best actor on the planet, and if he isn't the best, he is certainly the most interesting. Just like his name sake Hurricane, Joaquin Phoenix is powerful and unpredictable, tempestuous and raging. Instead of voyeuristically watching people in peril on the other side of the country from a force of nature called Hurricane Joaquin, I have decided to watch another force of nature, Joaquin Phoenix, rage in his best film performances, right here in the comfort of my own home. 

In tribute to Hurricane Joaquin here is a list of Joaquin Phoenix' best performances. So sit back, relax and enjoy The Master of the inner wound and the outer transformation, Joaquin Phoenix. 

If you are in Hurricane Joaquin's path, I genuinely implore you to please stay inside and stay safe, as hurricanes are serious and potentially very deadly business.  If you are going to watch Joaquin Phoenix films, the advice stays the same…stay inside…and stay safe. 

TOP FIVE JOAQUIN PHOENIX PERFORMANCES

5. GLADIATOR (2000)

Gladiator, directed by Ridley Scott, won Best Picture at the Academy Awards, and it's lead actor Russell Crowe won Best Actor. At the time of the film, Crowe was arguably the best actor and biggest star in the world, which only makes it all the more impressive that Joaquin Phoenix nearly steals the film right out from under him. Phoenix plays Commodus, the emperor's rather erratic son, who rises to the throne by killing his father in a jealous rage. Phoenix performance is electric, as he vibrates with a disconcerting and unsettlingly mania, a result of a very, very deep father wound. What makes Phoenix so good is that his energy, both physical and emotional, is sustained and focused yet unpredictably dangerous and capricious. The scene where he threatens his own sister with incestuous rape and the murder of her son, is chillingly effective. Phoenix greatest asset in playing Commodus is that he never gets stuck playing things at the same level. Commodus is certainly a mad man, which is why he is just as frightening when he is being reserved and quiet as he is when he is raging, because you don't know where his cruelty and wrath will fall next. Phoenix never lets Commodus be a caricatured villain, instead he creates a character that so desperately wants to be loved, and when he isn't, he wants others to feel the hurt that he carries so deeply inside him. Gladiator, at its heart, is a very conventional film, but Joaquin Phoenix' carefully crafted and nuanced performance raises the film from being somewhat mundane to being compulsively entertaining.

4. INHERENT VICE (2014)

Inherent Vice, directed by P.T. Anderson, is much like the man who stars in it, very strange, wondrously layered and terribly overlooked. Phoenix' work in this film is a tribute not only to his transcendent talent, but to his commitment to his art. His character "Doc", is created with such meticulous specificity that only a master craftsman could have pulled it off. Phoenix is able to convey a painstaking depth in the form of Doc's emotional wound, and a subtle charisma, that drives his character, and the film, through it's labyrinthian plot while never losing it's urgency and vitality. His scenes opposite his nemesis Josh Brolin, are pieces of comedic and dramatic gold.  It is really an extraordinary achievement to behold, and a credit to the artistry, magnetism and charm of Joaquin Phoenix.

Click here for my full review of INHERENT VICE.

3. WALK THE LINE (2005)

Joaquin Phoenix is sort of a strange looking guy. He has a cleft lip, a sunken sternum and a messed up, hunched back looking shoulder. And yet, despite all of these oddities, in Walk the Line, Phoenix goes full-on chameleon and transforms himself into the barrel-chested baritone, American icon Johnny Cash, without skipping a beat. It is a remarkable performance, all the way down to Joaquin doing much, if not all, of his own singing. What makes the performance all the more impressive is that it isn't an imitation of Cash, but rather an original creation that is close enough to the Johnny Cash we know to keep us placated, but unique and particular enough to keep us riveted. Once again, Phoenix creates an internal wound so vivid as to propel his character and compel the viewer all the way through the film. Walk the Line is at times a pedestrian piece of filmmaking, but Joaquin Phoenix' work in it is so magnetic that it is transcends and elevates what surrounds it.

2. HER (2013)

Her is the story of Theodore, a sensitive man living in the near future who falls in love with a computer operating system. It is directed by Spike Jonze and it stars our man of the hour, Joaquin Phoenix as the aforementioned Theodore. In the film, Phoenix sublimely uses his physicality to convey the isolation, desperation and emotional arc of the fragile and deeply damaged Theodore. Just watch and marvel at him walking around the futuristic Los Angeles in varying degrees of slouch. He also uses his greatly under appreciated charisma and magnetism to captivate the viewer while romantically playing opposite nothing but a voice. Her is really just a run of the mill love story, but both Jonze and Phoenix turn it into a poignant, touching and tragic commentary on human frailty and disconnect in the modern world. Joaquin Phoenix creates such a genuine, tender and delicate character that his hurt and his hope are palpable, as evidenced by two extraordinary scenes, one a dinner with his ex-wife exquisitely played by Rooney Mara, and the other when Theodore has a frantic conversation with his operating system/lover on the steps leading into a subway. Both scenes are exquisite examples of Joaquin Phoenix'  power as an actor.

Click here for my full review of HER.

1. THE MASTER (2012)

Acting is like walking a high wire, and the great actors, like Joaquin Phoenix, can do it without a net. In The Master though, Phoenix not only walks without a net, he goes without the high wire altogether. Joaquin simply jumps off the precipice and into the abyss with his arms and heart wide open, embracing whatever may come. What comes is nothing less than sheer brilliance, the master work of a true creative genius. In the film, again directed by P.T. Anderson, Phoenix plays Freddie Quell, a malcontent in post World War Two America, with emotional and mental scars from the war and from his life before it. Phoenix contorts his body and his face to such extremes that he is unrecognizable in the role. It is such a virtuoso display of physicality that it boggles the mind. Every tortured contortion and deformity on Freddie's face and body tells the story of a specific and detailed inner hurt in outer form. It is not hyperbole to say that Phoenix' performance as Freddie Quell is the most transcendent piece of acting captured on film this century, and maybe even the last century as well. There is no other actor working today who could have done what Joaquin Phoenix did in The Master. His work is so vibrant, so vivid, so original, so unique, so detailed and so alive that it was a quantum leap in the evolution of the art of acting. A performance like that was previously inconceivable, and only the truly inspired genius of Joaquin Phoenix could have brought it life. Actors for generations to come will strive to match the audacious magnificence of Joaquin Phoenix performance in the aptly titled  The Master.  Joaquin Phoenix has proven to all of us that he most certainly is...The Master. I bow to his talent, and tip my cap to his mastery.

 

Enjoy the Joaquin Phoenix movies and stay safe!!