Emptying the Notebook - Four Film Reviews for the Price of One

END OF YEAR HOUSECLEANING

As the year is coming to a close, I went back through my notebook and discovered some films I watched but did not properly review. So I figured why not just empty everything out and share some brief thoughts on these movies in case you were looking for something to watch over the holidays.

THE APPRENTICE – Available to stream on Amazon Prime

The Apprentice is actually a 2024 film but I never got around to watching it…and I have to say I was pleasantly surprised as I had very low expectations for the film and they were easily exceeded.

I expected a sort of run of the mill anti-Trump diatribe in film form…a sentiment I understand but which I believe would make for a rather dull feature film. What I got instead was a really incredible performance from Sebastian Stan as The Donald, in a rather nuanced and, all things considered, restrained biography of the early adult years of our current President.

Directed by Ali Abbasi, The Apprentice chronicles Trump’s ascent in the New York real estate and social world from a nepo nobody to a socialite somebody. Trump’s relationship with uber-scumbag Roy Cohn – portrayed with aplomb by Jeremy Strong, gives the background to his cutthroat approach to both business and politics.

The film is shockingly good in the first half in presenting Trump as an actual human being trying to understand the world and his place in it. In the second half it loses some steam, some perspective and nuance, but Stan never loses his grasp of the character or his humanity (or inhumanity as the case may be).

Sebastian Stan’s portrayal of Trump in this film is jaw-droppingly good. He doesn’t imitate Trump, but he is subtle in recreating some of his mannerisms and speech, and he gives a truly seamless and sterling performance. Stan was nominated for a Best Actor Oscar and Strong for Best Supporting Actor…and both nominations are very well deserved.

If you are looking for a solid movie to watch, you could do much worse than watching The Apprentice. That said, if you are burned out on all things Trump…I get it.

My Rating: 3 out of 5 stars

WARFARE – Available to stream on HBO MAX

Warfare is a 2025 film directed by Alex Garland and Ray Mendoza that sort of slid under the radar when it hit theatres in April.

The film chronicles a single military encounter of a Navy SEAL platoon in 2006 during the Battle of Ramadi. It is based on the real-life experience of director Mendoza and accounts from his team members.

Alex Garland is a filmmaker who showed great promise in his debut feature Ex Machina, but who has disappointed since then. His most recent film, 2024’s Civil War, showed great promise as well but never was quite as good as it should have been.

Warfare is, in my unhumble opinion, Garland’s best film since Ex Machina. It is a rather simple set up, a platoon of Navy SEALS is stuck doing surveillance in a house in Ramadi. Then the shit hits the fan and a battle erupts.

The film is well shot by cinematographer David J. Thompson, and well-choreographed by Mendoza. The battle is chaotic and feels entirely real. The best thing about Warfare is that it feels like you are plunged into a real setting and situation with real warriors. It doesn’t have the usual Hollywood film structure or pacing or anything like that. There are no grandiose speeches are dramatic movie star posturing, just a cast of regular looking dudes thrown into a hellish environment and trying to survive it.

The film is not overtly political, but it certainly does have something to say about the Iraq debacle if you have eyes to see it.

I found Warfare to be an effective and affecting piece of moviemaking. It isn’t a great film, but it is a good enough one to recommend people check it out and do so with an open mind.

My Rating: 3 out of 5 stars

28 YEARS LATER – Available to stream on Netflix

28 Years Later is the sequel to the 2002 film 28 Days Later, both of which were written by the aforementioned Alex Garland. It is the third film in the 28 Days Later franchise…and a fourth is on its way in 2026.

I greatly enjoyed 28 Days Later when I saw it in the theatre back in 2002, as it gave a real jolt of energy to the zombie genre – a genre I admittedly had little interest in or knowledge of.

Having revisited 28 Days Later recently, the shine has come off that film in many ways. It wasn’t quite as good as I remembered it (I hadn’t seen it since seeing it in the theatre).

That said, I went into 28 Years Later with an open mind. I found the film, which is directed by Danny Boyle – the director of the original, to be mostly underwhelming.

The movie features a top-notch cast of Jodie Comer, Aaron Taylor Johnson, Jack O’Connell and Ralph Fiennes, so there is a great deal of potential there…but unfortunately it never coalesces into a compelling piece of cinema.

To be clear, it isn’t a bad film, but it also isn’t a great one…it just kind of exists. It is less a zombie movie than an existential and philosophical one…and that gives it some energy, but the plot and the execution of it all never quite comes together in a way that satisfies or satiates.

The biggest question I had at the end of the film was why was this necessary? I mean, I get that the first movie was compelling and the second – 28 Weeks Later (2007), was forgettable…but why make another movie in the franchise nearly twenty years later when there wasn’t exactly a rallying cry from the masses to get it done?

Ultimately, 28 Years Later is a pretty forgettable bit of moviemaking, something that has become all-too common in the last decade of Danny Boyle’s directing career.

I say skip 28 Years Later unless if you’re a gigantic zombie movie fanatic…but even then, you’ll be disappointed with the general lack of zombie mayhem captured on screen.

My Rating: 2.5 out of 5 stars

THE SHROUDS – Available to stream on The Criterion Channel

The Shrouds, iconic filmmaker David Cronenberg’s latest film, hit theatres in 2025 and is now streaming on The Criterion Channel.

The film, which stars Vincent Cassel, Guy Pearce, Diane Kruger and Sandrine Holt, tells the story of a widower who has invented a new technology called “GraveTech”, that helps the grieving to monitor the decomposition of their loved one in the grave. Yes…this is some weird Cronenberg-ian shit.

The film is a sort of glorious concoction that mixes the usual Cronenberg body horror with a philosophical mediation on love, death, life and the modern world. Throw in some conspiracy theorizing and some big business corruption and you’ve got quite the arthouse phantasmagoria.

If you are a fan of David Cronenberg – and I consider myself one…not a super fan but a fan, then you will absolutely love The Shrouds as it is quintessential Cronenberg – most especially late-stage Cronenberg, as a man grappling with his own mortality and the death of his wife.

If you’re a normal human being you will probably find The Shrouds to be a completely alien, convoluted, and rather ghoulish cinematic experience. I understand that entirely and don’t judge anyone for feeling that way.

But if you are a Cronenberg fan, or a fan of somewhat eccentric arthouse cinema from a quality filmmaker who sometimes makes somewhat eccentric arthouse cinema…then I recommend you at least check out The Shrouds.

Ultimately The Shrouds might not be everybody’s cup of tea, but it is undeniably an original idea…and that is pretty rare nowadays.

My Rating: 2.5 out of 5 stars (3.5 out of 5 stars for Cronenberg fans)

If you want to check out some other Cronenberg films here is a brief rundown of movies to see.

Solid horror movies – The Brood, Scanners, Videodrome, The Fly, Dead Ringers.

Very Solid Mainstream Movies – A History of Violence, Eastern Promises, A Dangerous Method.

Gloriously Bat-Shit Crazy Movies Worth Watching – Crash (1996)

Alright gang…that is all I have for now. I hope everyone has a happy and healthy New Year!!

©2025