"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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Cry Macho: A Review and Commentary

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 1.75 out of 5 stars

My Recommendation: SKIP IT. A dismal and disappointing directing effort from Clint Eastwood that features some utterly embarrasing performances and a painfully thin script.

Hollywood icon Clint Eastwood has long been an avatar for America. From the phenomenal spaghetti westerns of Sergio Leone to Dirty Harry to his genre closing masterpiece Unforgiven, Clint Eastwood has been an archetypal figure embodying America’s sense of itself and its masculinity.

Eastwood’s new movie Cry Macho, which he directs and stars in, isn’t in the same cinematic ballpark as Unforgiven or Dirty Harry, in fact, it’s a pretty dreadful movie, but that doesn’t mean it lacks archetypal insight.

Cry Macho features Eastwood once again mirroring America, but this time he unintentionally reveals a deeply delusional nation in steep decline.

The film tells the story of Mike Milo (Eastwood), a very old ranch hand hired by wealthy Texan Howard Polk to get his wayward teenage son, Rafo and pet rooster named Macho, from Mexico out of the clutches of Rafo’s drug dealing, abusive mother.

It is important at this juncture to unequivocally salute Clint Eastwood for making Cry Macho. Directing a movie requires a Herculean effort. Starring in a movie takes a super-human amount of energy. Clint Eastwood not only directing but starring in a movie at the age of 91 is a stunning and miraculous achievement.

While I have been highly critical of many of Eastwood’s late-stage films, and rightfully so, that does not diminish in my eyes his singular position in the history of American cinema and the breadth of his acting and directing career.

I respect Eastwood’s continued ambition and work ethic (but certainly question his work style) but I refuse to let sentimentality cloud my judgement of his work.

Eastwood has been starring in movies for 57 years, and while he’s never been a great actor, he’s always been a formidable and compelling screen presence. But Clint Eastwood is 91-years-old, and while he’s robust for a 91-year-old, that doesn’t make it any less delusional that he cast himself as a character that is 40 in the book upon which the movie is based. Hell, Eastwood even turned down this same role back in the 80’s when he was a much more age appropriate.

At 91, Eastwood doesn’t just seem old, but elderly and fragile, as he moves like an extra on Night of the Living Dead. The sight of him breaking horses, dancing the night away and punching thugs, beggars belief.

When a woman less than half his age is so overcome with sexual-attraction she tries to seduce him, and another about half his age falls madly in love with him, it’s utterly absurd.

This aggressive self-delusion is the perfect embodiment of the current state of the American empire, which is in a sorry state but sees the ruggedly handsome Clint Eastwood of 1965 in the mirror instead of the more accurate reflection of the feeble, infirm and geriatric Clint Eastwood of today.

This level of delusion is equivalent to those American voters who convinced themselves that Joe Biden wasn’t a dementia-addled, establishment whore or that Donald Trump was anything but a bloated, bloviating reality tv buffoon.

Like so much of America and American culture, Cry Macho is a cheap, sloppy, dramatically and narratively incoherent venture that features some of the worst acting you’ll ever see. When the best actor in your movie is a rooster, you’ve got serious problems.

Eastwood is famous, or infamous, for shooting minimal takes on his films in order to stay on time and on budget. When his cast consists of all-time greats like Morgan Freeman, Gene Hackman and Richard Harris, as it did on Unforgiven, this approach can work incredibly well. When, in an attempt to cut corners and save money, the cast is loaded with unknowns, as it is on Cry Macho, then the results can be frighteningly amateurish, which is painfully similar to the cast of characters currently starring in the stale drama of American politics. Who among us doesn’t think a rooster would be a significant upgrade from Mitch McConnell, Ted Cruz, Marco Rubio, Chuck Schumer, Nancy Pelosi, Alexandria Ocasio-Cortez or any of the other vacuous and vapid villains inhabiting Washington?

Cry Macho, much like Unforgiven thirty years ago, highlights Eastwood wrestling with the darker side of his uniquely American archetype.

In Unforgiven he grappled with the ramifications of the violence he portrayed on-screen and that the American ethos unleashed upon the world. In Cry Macho the meditation is not nearly as profound, but it’s certainly there.

The teenage Rafo, one of the countless two-dimensional, third-world characters in the film that can either be a sinner or a saint and nothing in-between, is uncomfortably desperate to prove his masculinity, as Mike points out when he tells him how odd it is for “a man to name his cock Macho”.

Eastwood saying the lines “the macho thing is overrated” and “they don’t like that macho stuff in America” to Rafo feels like a frank admission that America has become so hyper-feminized that even Clint Eastwood, the archetype of American masculinity, is now admitting defeat.

But the most insightful dialogue comes from Rafo, who confronts Eastwood’s Mike and rips into him, and by extension, eviscerates the notion of American exceptionalism, when he says, “you used to be tough, now you’re weak…you used to be strong, and now you’re nothing.”

That’s uncomfortably insightful as the decrepit Clint Eastwood of today perfectly reflects the current state of America, as he’s delusional, infirm and feeble. The reality is that America pretending it’s anything but a decadent nation in a death spiral doesn’t change that fact, it just maintains the facade for those too frightened to admit the truth.

This is reminiscent of when Rafo continuously defends his pet rooster by telling Mike, “he’s not a chicken, he’s Macho!” Calling a chicken ‘Macho”, doesn’t change the fact that it’s a chicken, and sooner or later it will end up sliced and diced on the dinner table.

I wish Cry Macho was a better movie because it has something to say and didn’t say it very well, but the one obvious take away is that if the once-great but now over-the-hill Clint Eastwood is the embodiment of modern American masculinity, now is definitely the time to cry macho.

 A version of this article was originally published at RT.

©2021

Songs of Experience in A Quiet Place

Estimated Reading Time: 17 minutes 52 seconds 

"GET OUT OF YOUR OWN WAY" - Get Out of Your Own Way off of the album Songs of Experience by U2

"IT'S THE LITTLE THINGS THAT GIVE YOU AWAY/ THE WORDS YOU CANNOT SAY/ YOUR BIG MOUTH IN THE WAY" - The Little Things That Give You Away off of Songs of Experience by U2

THE SYNCHRONICITY STORM

For the last few weeks a recurring theme has kept rearing its head in my reading and movie watching. As this thematic synchronicity storm gathered strength I realized I could ignore the topic no longer.The recurring theme in question is the stultifying tribalism and accompanying intolerance for opinions different from our own that is rampant in our culture.

The subject first came up when I went to see A Quiet Place and discovered the underlying metaphor at the heart of the film, that in our current cultural climate anyone with a traditionalist opinion that may differ from liberal establishment orthodoxy needs to keep quiet and keep their head down or they will be "devoured" by the PC mobs and elitist watchdogs online and in the media. 

The day after seeing A Quiet Place I read two pieces touching upon the same subject, the first by Michelle Goldberg in the New York Times and the second by Andrew Sullivan of New York magazine.

Goldberg's piece from May 11th, titled "How the Online Left Fuels the Right" and Sullivan's from the same day titled "Kanye West and the Question of Freedom", both discuss the problem of tribalism across the political spectrum but also the issue of liberal intolerance of differing viewpoints, which echoed the foundational metaphor I found so intriguing about A Quiet Place.

Then a day later on May 12th, I read an op-ed in the New York Times by Gerard Alexander titled, "Liberals, You're Not as Smart as You Think". In the piece Alexander, like Goldberg and Sullivan before him, mentions the Kanye West-Trump conversion story where Kanye's divergence from racial political dogma has caused a furor resulting in his sanity being questioned by liberals and African-Americans, to highlight liberal intolerance of diverse opinions.  

"BLESSED ARE THE ARROGANT, FOR THEIRS IS THE KINGDOM OF THEIR OWN COMPANY" Get Out of Your Own Way off of the album Songs of Experience by U2

These three articles, written by a Democrat (Goldberg), a liberal conservative (Sullivan) and a Republican (Alexander) all touch upon an issue that I have recognized for quite some time and tried to warn against, namely that establishment liberalism is quick becoming a suffocatingly vacuous and emotionalist echo chamber of political correctness and victim idolatry where serious thinking goes to die. (This is not to say that Republican conservatism is chock full of vibrant philosophy, it isn't, it is at best a mausoleum, at worst a rancid carnival of Reagan-era capitalism).

The argument that Goldberg, Alexander and Sullivan make is that liberal intolerance of diverse opinion and use of shame instead of debate is a direct cause of Trump's electoral victory, and may lead to his re-election. I made this same argument right after the 2016 election (link, link) (and right before the election- link), where I said that liberal arguments had grown flaccid because Democrats had replaced debate with moral condemnation, shaming and exiling of anyone who disagreed with them. As I have written many times, liberals no longer engage in debate, they simply cry racism, misogyny or some other emotionally fueled charge rather than actually thinking through a topic, forming an argument, engaging in debate/discussion and thus attempting to convince others of the rightness of their viewpoint. This sort of lazy, entitled, and emotionally driven form of anti-intellectual politics is currently at epidemic levels across America. 

The emotionalism at the heart of this tribalism and demand for intellectual conformity is a potent force and I have seen its devastating effects up close and personal in the liberal circles of my own life.

Andrew Sullivan eloquently wrote of the powerful emotion driving tribal politics and its consequences, "That’s an intense emotion, and it’s that intensity, it seems to me, that is corroding the norms of liberal democracy. It has been made far, far worse by this president, a figure whose election was both a symptom and a cause of this collective emotional unraveling, where the frontal cortex is so flooded by tribal signals that compromise feels like treason, opponents feel like enemies, and demagogues feel like saviors. Instead of a willingness to disagree and tolerate, there is an impulse to loathe and expel. And this is especially true with people we associate with our own side. Friendly dissidents are no longer interesting or quirky; as the stakes appear to rise, they come to seem dangerous, even contagious. And before we even know it, we live in an atmosphere closer and closer to that of The Crucible, where politics merges into a new kind of religious warfare, dissent becomes heresy, and the response to a blasphemer among us is a righteous, metaphorical burning at the stake."

"LOVE HURTS, NOW YOU'RE THE GIRL WHOSE LEFT WITH NO WORDS/ YOUR HEARTS A BALLOON BUT THEN IT BURSTS/ IT DOESN'T TAKE A CANNON JUST A PIN/ YOUR SKIN'S NO COVERING…" - Get Out of Your Own Way off of the album Songs of Experience by U2

MARY FROM DELAWARE

I was, synchronistically enough, reminded of this "impulse to loathe and expel" when a friend jokingly sent me a recent article written by a woman who used to be friends with my wife. This woman, let's call her Delaware Mary, is a vociferous Clinton supporter and a self-described feminist, and when my wife posted a link to an article I had written right after the 2016 election titled, "2016 Election Post-Mortem", Mary, who had been friends with my wife for over twenty years, responded just as Sullivan describes as from that point on she refused to talk or communicate with my wife in any way, instead choosing to unfriend and expel my wife entirely from her life. 

Mary's reaction to my wife simply linking to my article (which I encourage you to read to judge for yourself the level of my crime) seemed bizarre to me, but it was a sign of the times as in the midst of the collective nervous breakdown among liberals in the wake of Trump's victory and Hillary's defeat, Mary had company in her shunning ways. Two other female friends of my wife and I, let's call them Lola and Lana, both of whom are also self-described feminists and Clinton supporters, took the same action and expelled me and my wife entirely from their lives as well after I wrote my post-election analysis. It seems Mary, Lola and Lana were like the creatures in A Quiet Place, and when they heard me speak up they not only eliminated me, but also anyone close to me…namely my wife. 

"YOU MUST BE AN ACROBAT/ TO TALK LIKE THIS AND ACT LIKE THAT" - Acrobat off of the album Achtung Baby by U2

There are a few noteworthy things about this episode worth pointing out…the first is that it was confirmed by multiple third parties that the reason these women banished my wife and I was solely because of my writing and my post-election piece in particular. 

Second is that my wife is the least political (and least confrontational) person I know and rarely if ever talks politics with her friends or on Facebook. It is also important to emphasize that my wife didn't post the text of my article, just a link to it. In addition, my wife doesn't necessarily believe the same things that I do, she just made the egregious error of posting a link to my article saying "my husband wrote this". 

And to put this further into context, these three feminist Clinton supporters have exiled my wife not because I am a MAGA hat wearing Trump guy, I certainly am not, but because I challenged their Clinton neo-liberalism from a position further to their left. I am one of the "friendly dissidents" Andrew Sullivan wrote about in the quote above who was deemed a heretic and banished…along with my entirely innocent wife.  

One final bit of context is that Delaware Mary, Lola and Lana were adamant during the election that Hillary Clinton should not be held to account for the things her husband did while in office. These women claimed it was "sexist" and "misogynistic" to tar Hillary for the misdeeds of Bill. And yet…they were very comfortable holding my wife accountable for my apparent sin…how progressively feminist of them. 

The fact that these three women couldn't just passively ignore my writing, which would have been very easy to do since I rarely if ever had direct contact with them (and also because to avoid my writing they could simply NOT CLICK ON A LINK), but had to actively punish my wife for it, speaks volumes about where we are as a culture and does not bode well for where we are headed as a nation.

The hypocritical behavior on the part of Delaware Mary, Lola and Lana also speaks volumes and does not bode well for the future of feminism and is also a testament to their lack of personal character and integrity.

"BLESSED ARE THE BULLIES, FOR ONE DAY THEY'LL HAVE TO STAND UP TO THEMSELVES" - American Soul off of the album Songs of Experience by U2

"HAVING A SCAPEGOAT MEANS NOT KNOWING THAT WE HAVE ONE" - RENE GIRARD

"UNINTELLIGENT PEOPLE ALWAYS LOOK FOR A SCAPEGOAT" - ERNEST BEVIN

When Mary, Lola and Lana made the conscious decision to exorcise my wife and I from their lives they were exercising the ancient psychological tool of scapegoating. As author/philosopher Rene Girard tells us, scapegoating is when negative feelings and emotions, such as anger, failure, frustration or guilt are projected onto an innocent person/object, and then that person is punished, which provides psychological release and catharsis for the scapegoater.

In this particular case, my wife was entirely innocent and did nothing wrong to Mary, Lola and Lana, but they projected onto her all of their negative feelings that arose as a result of Hillary's ignominious defeat, feelings such as impotence, helplessness, embarrassment, humiliation, frustration, anger and rage, and then punished my wife by exiling her. In a desperate search for catharsis in order to alleviate themselves of these painful and negative emotions, they needed to punish my wife and not just me, because exiling me would not make me suffer, but it would definitely hurt my wife, which in turn would punish me.

The suffering my wife experienced at the hands of their punishment is what was needed for Mary, Lola and Lana to cathartically release their own toxically negative feelings. Making my wife (and me) the villain upon which they could project their negative emotions, also allowed Mary, Lola and Lana to be the "hero" and gain powerful positive feelings like moral superiority, piousness and self-righteousness. 

Of course, as these women no doubt found out, the catharsis felt after exiling my wife and releasing their negative feelings over Hillary's election loss and the gaining of positive feelings, was only temporary, as the root cause of the negative feelings still existed, so they would, like addicts, have to find other scapegoats in order to sustain the temporary euphoria of releasing negative emotions and gaining positive ones. 

Delaware Mary in particular has become quite the expert at finding scapegoats and at proving both Sullivan's and my own point about the personal toxicity of tribalism repeatedly throughout the election and post-election period, as she has banished from her life not just my wife, but a cornucopia of other women, including her own mother, best friend and other friends.  

"BLESSED ARE THE LIARS FOR THE TRUTH CAN BE AWKWARD" - American Soul off of the album Songs of Experience by U2

"A COW'S HEAVEN IS A FLOWER'S IDEA OF HELL" - OLIVER GASPIRTZ

 Delaware Mary's scapegoats were probably singled out due to their failure to rigorously comply with her self-serving belief system, which more resembles a faith-based religion (with her as deity at the center) than a fact-based political philosophy, which is ironic since Delaware Mary is a nouveau-athiest who claims to despise religion. 

An example of Mary's vapid, vacuous and insipid thinking can be found in the article she wrote. In the piece, Mary wrote of women...

"When we speak our truths—the truth—we are rarely believed. We are gaslit by progressive men who tell us they care about women and people of color and the LGTBQ community but then dismiss fighting for our rights and our lives as identity politics."

This quote from Mary's piece is a perfect encapsulation of all that is wrong with establishment liberal orthodoxy and the neo-feminism of our day. Mary is entirely incapable of grasping that her subjective truth is not the Truth. She is also incapable of understanding that since her "truth" is subjective, it must therefore be measured against other people's subjective truths in order to come to a better understanding of the actual Truth. 

Her use of the term "gaslight", which means "to manipulate someone by psychological means into questioning their own sanity", is pretty insightful as well (and also a desperate way for a middle-aged woman to try and seem "hip" to the "young people"). According to Mary's assertion, to even question her (or any other woman's or minority's) subjective experience can only be interpreted as a form of psychological assault meant to mentally harm her rather than an attempt to discover the Truth or the objective reality of a situation. In Delaware Mary's eyes, the only experience/truth that matters is hers…or barring that, then the subjective experience of any other member of a victim group she exalts such as women, LGBTQ people, or other minorities, and their subjective experience must be left unquestioned and accepted as fact too. 

Does Mary realize that conflating her subjective truth with fact is exactly what Donald Trump does on a daily basis that drives her batshit crazy? Does Mary ever even remotely consider that her subjective truth is not indeed a fact, that it is, just like everyone else's, distorted with all sorts of psychological, personal and historical filters? And that maybe her desperate yearning for victimhood and her rage toward other individuals (like the countless people she has banished) is a function of scapegoating through psychological projection and substitution? And could Mary ever grasp that some people she considers heretics to the Delaware Mary dogma may desire the same ultimate outcome that she does, but they believe different strategies and tactics will make attaining that goal much more likely? I doubt it, since in our culture the self, and therefore subjective experience, always trumps objective reality…hence we get a plethora of people, like Delaware Mary and her cohorts, who encourage people to speak their truth and not to seek THE Truth

INTERMISSION

Since this is a long article, here is a short video intermission which perfectly sums up Delaware Mary, Lola and Lana's approach to life. Enjoy.

VIDEO LINK

 

"WHEN ALL YOU'VE LEFT IS LEAVING/ AND ALL YOU'VE GOT IS GRIEVING/ AND ALL YOU KNOW IS NEEDING" - 13 (There is a Light) off of the album Songs of Experience by U2

THE VICTIM PYRAMID OF TRUTH

The problem with Mary's thinking is pretty obvious, namely that even among women and minority groups in the inverted 'victim pyramid' of truth through which Mary sees the world, subjective experience differs greatly. So is Mary "gaslighting" people of color when she disagrees with Black women like Nina Turner, a Bernie Sanders supporter, or Candace Owens, a Trump supporter? Why are Ms. Turner's and Ms. Owen's subjective experience any less valid than Delaware Mary's? 

And when Delaware Mary divides people based on their race, gender, sexual orientation and ethnicity, in other words by their identity, or more accurately - by how SHE identifies them, and then ranks them according to how victimized she perceives them to be, she creates a situation that can only devolve into a circular firing squad. Evidence of this is seen in an article in The Guardian by Ruby Hamad titled "How White Women Use Strategic Tears to Silence Women of Colour", where Ms. Hamad bemoans how progressive White women use tears to avoid being held accountable. Does Ms. Hamad's subjective truth of White women being instinctively manipulative overrule Mary's subjective truth that she is "woke" (as an aside... is there anything more cringe-worthy than a middle aged white woman describing themselves as "woke")?

What about men of color…where on Delaware Mary's holy scale of minority subjective experience impeccability is their truth? Is Bill Cosby an awful rapist as per his female victims experience or does his African-American subjective truth that he is the victim of a lynching trump their claims? What about some less Manichean and more complex cases? Where does Mary's loyalty lie…is it with women? People of color? LGBTQ people? Because Mary has made it clear it certainly isn't with the Truth only with her subjective truth.

BECCA AND REBA'S EXCELLENT ADVENTURE

Michael Harriot accurately described White women like Mary and Lola in his 2017 article in The Root titled, "The 5 Types of 'Becky'". Harriot writes of White women he calls varying forms of the derogatory name Becky. Mary and Lola fall into two of the Becky categories, the first is the Becca category, which Harriot describes thus…"Becca wants to help…as long as it is convenient and comfortable. Even though Becca isn't racist, her idea of Black people is of a downtrodden underclass that just needs a little help from benevolent white people. Becca is pure of heart and holds no animosity towards anyone. She is willing to "do the work…" but not really."

Delaware Mary and Lola are a Becca combined with a Reba, which Harriot describes thus…"Reba is "woke"…Reba believes in a women's right to choose and wore a pink pussy hat to the Women's March….Reba cares about winning. She believes that white women deserve the gold medal in the oppression Olympics, and if there is a chance she isn't on the podium, Reba thinks you're not being fair. Reba talks about white privilege, but Reba doesn't understand that she is white privilege." 

"FREEDOM, THE SLAVES ARE LOOKING FOR SOMEONE TO LEAD THEM/ THE MASTER'S LOOKING FOR SOMEONE TO NEED HIM/ THE PROMISED LAND IS THERE FOR THOSE WHO NEED IT MOST/ AND LINCOLN'S GHOST SAID/ GET OUT OF YOUR OWN WAY" -Get Out of Your Own Way off of the album Songs of Experience by U2

Delaware Mary's fanaticism for identity politics is part of why she was so desperate to scapegoat and exile my wife and I. For women like Mary, Lola and Lana, identity politics isn't just about race, religion, ethnicity, gender or sexual orientation, it is actually about THEIR identity, meaning their ego/Self. 

According to iconic psychiatrist and founder of analytical psychology, C.G. Jung, there are countless types of archetypes that are available to us, from the Warrior to the Trickster to the Lover to the Actor and on and on. Jung's archetypes are all gender neutral so, for example, both men and women can be the Mother archetype or the Father archetype. The problem with Mary, Lola and Lana is that they are stuck in the archetypal cycle of Victim (Child) and Mother, with the Victim/Child archetype being the one who needs caring and the Mother archetype being the one who does the caring.

Delaware Mary is so bloated with self-loathing she must justify it by embracing the Victim archetype, pawning her failures off on an "other" or "group of others" because it eases her psychological anguish to feel she has no agency and is a defenseless Victim. And then she projects Victimhood onto others she deems acceptable, like other women, people of color and other minorities, so that she can try to balance her psyche and alleviate her feelings of weakness, by infantilizing those she appoints as "Victims" (minorities)…thus ensuring that they stay disempowered Victims/Children in need of care and she takes on the archetype of Mother to care for them. This Mother role in this scenario is actually driven by an unconscious White supremacy and a desire to keep minorities in perpetual Victim/Child mode, thus stunting their growth so that Mother can remain empowered. 

Delaware Mary, Lola and Lana hated my post-election article and the ideas in it so much because it challenged their worldview, and to them, because their identity politics is their sole identity (Victim/Child-Mother archetypal cycle), a challenge to their worldview is a direct threat to their ego/Self, their psyche and thus to their entire existence. This is why Mary considers anyone questioning her subjective truth as "gaslight" assaulting her, it is because the entirety of her being is her ego, which is defined by her Victim/Mother identity. Without her identity politics belief system, Mary ceases to exist, as do Lola and Lana. If the world is not as they think it is, then their identities disintegrate and take the rest of their psyche with it. 

The existential threat of loss of identity and psychic annihilation is real and powerful, and can motivate people to do much worse things than just banish a friend of twenty years with whom you have suffered the slings and arrows of life including weddings, births, deaths and all the rest. Holding onto our identity/ego/Self is perceived by the psyche to be a matter of life and death, and it often forces us to react from our lizard brain rather than from the more rational parts of our mind.

"FIGHT BACK, DON'T TAKE IT LYING DOWN YOU'VE GOT TO BITE BACK/ THE FACE OF LIBERTY'S STARTING TO CRACK/ SHE HAD A PLAN UP UNTIL SHE GOT A SMACK IN THE MOUTH/ THEN IT ALL WENT SOUTH" - Get Out of Your Own Way off of the album Songs of Experience by U2

Another thing that I found striking regarding Delaware Mary and Co. banishing my wife and I was that none of these proud, self-described feminist, highly-edcuated women had the courage to challenge the things I wrote. None of these women have ever reached out to me at all regarding the entire situation, finding it easier to just "ghost" (as the kids say) my wife and I instead of engaging in a debate or discussion or even registering their dislike of my opinion. I can understand not wanting to engage with me in person, I have been told I am an intimidating presence, but to not at least reach out from the safety of email or the comment section seems to me an act of cowardice, and shunning my wife shows a stunning lack of intellectual integrity.  

I am someone who does not have all the answers, hell, I don't even know most of the questions, so I consider myself open to persuasion. Maybe I am delusional, that could certainly be the case, but I try to be open to criticisms of my thinking and writing. For instance, I have received very insightful and thoughtful emails from readers who have vehemently disagreed with me and I have even gone so far as to post some of these emails in their entirety on my blog. For example, when I wrote a piece on "Whitewashing", a reader, Tiny Dancer, emailed me with her counter argument, and I posted an article containing that entire email. To me, this is how serious people and adults behave, and I wish these women had had the courage to reach out to me and at least tell me what pissed them off so much in that article so I could reexamine my opinion. 

Maybe these women thought I was not worth their time, and that my wife was for some reason tainted by her association with me, a case of the "contagion" Andrew Sullivan insightfully wrote about. But as Michelle Goldberg wrote in her New York Times piece, "Some might argue that respectfully debating ideas seen as racist or sexist legitimates them. There’s something to this, but refusing to debate carries a price as well — it conveys a message of weakness, a lack of faith in one’s own ideas. Ultimately, the side that’s frantically trying to shore up taboos is the side that’s losing. If there’s an Intellectual Dark Web, we should let the sun shine in."

Goldberg is correct in her strategic and tactical assessment. Delaware Mary and company feel entitled to not have their beliefs challenged, and so they frantically scapegoat all heretics and banish contrarians so that they never have to actually form an argument and strengthen it, but get to bask in the illusion of the unimpeachability of their subjective truth. This is an arrogant, fool-hardy and strategically inept approach to life and to politics as gorging yourself on a steady diet of mainstream neo-liberal identity theology will only lead to an intellectual constipation. It will also eventually leave you at the mercy of your opponents, who have hardened and honed their arguments in the fire of debate, and to the brutal and cruel force of objective reality. 

By sealing their echo chamber ever tighter through the banishing of alternative and diverse opinions and anyone associated with them, Delaware Mary and Co. are creating a distorted version of reality where they encourage themselves and others to lose touch with objective reality in favor of a fever dream of subjective truth and moral superiority.

As Gerard Alexander writes in his Times piece, "Within just a few years, many liberals went from starting to talk about microaggressions to suggesting that it is racist even to question whether microaggressions are that important. “Gender identity disorder” was considered a form of mental illness until recently, but today anyone hesitant about transgender women using the ladies’ room is labeled a bigot. Liberals denounce “cultural appropriation” without, in many cases, doing the work of persuading people that there is anything wrong with, say, a teenager not of Chinese descent wearing a Chinese-style dress to prom or eating at a burrito cart run by two non-Latino women."

In Delaware Mary and Co.'s confirmation bias feedback loop where objective truth is scorned and subjective truth celebrated, the only way to maintain the illusion is to vigorously police the speech and actions of others. This is why it was imperative that I be exiled along with my Facebook linking accomplice wife, as we represented a potential shattering of the illusion within which these women exist. This controlling impulse is authoritarian in nature, and ironically enough, is exactly what Trump and other tyrants do to dissidents and heretics as well. 

As Alexander wrote in his Times essay, "Pressing a political view from the Oscar stage, declaring a conservative campus speaker unacceptable, flatly categorizing huge segments of the country as misguided — these reveal a tremendous intellectual and moral self-confidence that smacks of superiority. It’s one thing to police your own language and a very different one to police other people’s. The former can set an example. The latter is domineering." 

THE JOY OF COGNITIVE DISSONANCE

I wrote an article a few years back titled, "Truth, Justice and the Curious Case of Chris Kyle". In that widely read piece, I wrote of the psychological term cognitive dissonance, which means "psychological conflict resulting from incongruous beliefs and attitudes held simultaneously", in relation to the behavior of conservatives when the lies of Chris Kyle were brought to their attention. A brief glimpse at the comment section of that piece, which I wholly encourage you to go read in its entirety, proved my point more than anything I actually wrote in the article.

Liberals suffer from cognitive dissonance too (as do all humans to varying degrees) and it has been epidemic in the last few years, Delaware Mary and Co. are living proof of that. When Mary, Lola and Lana were confronted with arguments and facts (like my being correct in predicting the election and the reasons why Trump would win) that were in opposition to their strongly held beliefs (their trust in conventional wisdom and institutions like the media, their perceived intellectual superiority and that Hillary would win) and suffered the ensuing psychological conflict, they did what most people suffering from cognitive dissonance do, they ignored the new information (and its carrier- me) and they removed it from their consciousness in order to maintain the sanctity of their previous held (faith-based) belief. 

A great example of liberals like Delaware Mary and company suffering from cognitive dissonance and behaving exactly the same as the conservatives they so loathe (and vice versa), came in recent months when MSNBC host Joy Reid was caught lying about some blog posts she had written a decade ago that some felt were homophobic. Instead of just owning up to the posts and apologizing as she had done in a similar situation a year ago, this time Reid doubled down and claimed to have been "hacked", and that the writing was not hers. Computer forensic experts investigated and found that she was full of it and that there was no hacking…but this did not stop Reid or her supporters one little bit. In a remarkable display of cognitive dissonance, Reid claimed she "didn't recognize herself as having written those things", and many liberals supported her and even wrote and tweeted things like "I don't care if she is lying…I SUPPORT JOY". The same exact type of thing was written by conservatives in the wake of my Chris Kyle piece, as many declared, "I don't care if he lied!" This is our political culture…whether it be liberal or conservative...Truth need not apply. 

"STATUES FALL/ DEMOCRACY IS FLAT ON ITS BACK, JACK/ WE HAD IT ALL, BUT WHAT WE HAD IS NOT COMING BACK, ZAC/ A BIG MOUTH, SAYS THE PEOPLE THEY DON'T WANT TO BE FREE FOR FREE/ THE BLACKOUT, IS THIS AN EXTINCTION EVENT WE SEE?" -The Blackout off of the album Songs of Experience by U2

A COMPLEX SIMPLICITY

Why is that? Why in the world do people just blindly support and put their faith in people like Chris Kyle or Joy Reid or Donald Trump or Hillary Clinton? And also why do people spend so much time and energy banishing dissenting opinions instead of using that time and energy to see what is in front of one's nose, which as Orwell teaches us, requires a constant struggle? The answer is a deep-seeded existential fear.

Delaware Mary and company are representative of our political culture in that they are consumed with fear. Fear is the driving and motivating force for their lives…and yet they are not even aware of it. What these people fear is not what they think they fear…some "other" (like me) out to destroy them and all that they hold dear. No, Delaware Mary and company's existential fear is not the "other", it is complexity, and the antidote to their fear of complexity is the simplicity for which they so desperately yearn. 

Simplicity is required because it maintains and enforces the status quo in people's psyche and also in the outer world. For individuals like Delaware Mary and friends, if they replace their simple black and white worldview where they have a scapegoated "other" upon which to project all negative attributes, and a sanctified Victim group (of which they are members), and replace that cosmology with a more nuanced and complex understanding of their world where their feelings are a useless guide to navigating the maze of modern life, then once again their Self/ego is threatened with obliteration. This is the existential threat to their identity/ego/Self that must be avoided by any means necessary.

As Adam Curtis revealed in his brilliant documentary Hyper-Normalization, the same is true of our macro political culture, as our society is so complex that it is an unwieldy, uncontrollable beast, and thus the appearance of simplicity must always be maintained by the ruling class to keep the masses placid and compliant. Thus we get slogans and marketing campaigns to boil everything down to the most simplistic nugget…Make America Great Again, all Trump voters are racist, they hate us for our freedoms, freedom isn't free, Hillary lost because of racism!/misogyny! Saddam/Ghadaffi/Putin/Bin Laden/Kim Jong-Il is a pure evil madman etc. 

The establishment believes the facade of a simplistic Manichean status quo with its accompanying political order (where they are on top) must be maintained at all costs because the complexity that lies just underneath the surface of our civilization is a chaotic, barbaric and psychologically apocalyptic force that if unleashed could destroy their power structures.  

On a micro scale, Delaware Mary must not let the complexity of the world seep into her mind, she must not permit contrarian views to fester, because if she stops to actually think, instead of feel, about her subjective truth versus objective reality, and about the massive complexity hidden just beneath the surface or her own life, psyche and motivations, her ego/Self, which she has wrapped in the cloak of her identity in general and her Victim identity in particular, will be obliterated and she will cease to exist. That is terribly frightening for her, as it would be for anyone, and that is the fuel that propels the rocket of her spate of scapegoating and blindly vindictive behavior. 

"WALK THROUGH THE ROOM LIKE A BIRTHDAY CAKE/ WHEN I AM ALL LIT UP, CAN'T MAKE A MISTAKE/ AND THERE'S A LEVEL OF SHALLOW THAT YOU JUST CAN'T FAKE/ BUT YOU KNOW THAT I KNOW" - The Showman (Little More Better) off of the album Songs of Experience by U2

What needs to happen to Delaware Mary and company is what needs to happen to the wider culture as well, namely that they must, in a controlled and stable setting, ask themselves the question, "what if everything I know is wrong?" This question scares the hell out of people like Mary, and scares the establishment class even more, but it is vital if we want to survive as a functioning, relatively healthy human beings and as a civilization. 

Americans have been given lots of opportunities to ask this question of ourselves in recent years as they and the ruling establishment have been spectacularly wrong on so many things, such as the Iraq war, the financial collapse and Trump's election. Sadly, the ruling elite have repeatedly and effectively placated the masses in the face of these massive failures by conjuring a tantalizingly simple illusion which they use to distract from an ever more unruly and complex world. 

The same is true for Delaware Mary, who if she had the courage to actually do some introspection and self-reflection, might stop to notice that she perpetually kisses up and kicks down, and that she repeatedly only casts aside "friends" she cannot use to advance her career, which might lead her to realize that the life she leads which depresses her so, is a result of her own doing, and not because of the failings of others, or structural barriers restraining her. 

What is so disheartening about this entire situation is that Delaware Mary, Lola and Lana think they are fighting for change and against the status quo, but they aren't, they are desperately and unconsciously struggling to maintain the status quo. Their feminism is a feminism which is built upon the Victim archetype and the foundational belief of female weakness and unworthiness. Ironically, the Victim archetype feminism these women adhere to not only requires but forces a Mother archetype to step forward to "care for" the Victim, and what steps into the Mother archetype are patriarchal males who want to protect the "weaker sex". In other words, Delaware Mary, Lola and Lana and their neo-feminist cohorts are unconsciously propping up the patriarchy they claim to so abhor. This along with their hypocritical behavior and vicious envy of other women speaks to Delaware Mary and friends as being fraudulent feminists. 

Their identity and racial politics too are built upon the Mother/Victim archetypal relationship, and carries with it their own unconscious belief in the inferiority of those groups of people for whom they claim to be fighting. This shows that Mary, Lola and Lana are symbolic of many mainstream liberals in that they claim to be #woke but are completely sound asleep #unconscious.

"IT IS WHAT IT IS BUT IT'S NOT WHAT IT SEEMS/ THIS SCREWED UP STUFF IS THE STUFF OF DREAMS/ I GOT JUST ENOUGH LOW SELF ESTEEM/ TO GET ME WHERE I WANT TO GO" - The Showman (Little More Better) off of the album Songs of Experience by U2

This begs the question...Why does any of this matter? Well the reason I was compelled to write on this subject in the first place is because it seems to represent the ever growing divide in American politics, where subjective truth rules the day and all politics is personal, that further exacerbates the issues that many people care about.

I also think it matters as a warning about the infection gaining power and spreading throughout politics in general and liberal politics in particular. Delaware Mary is symbolic of this disease of identity and is a case study for the perils of embracing her type. For example, Delaware Mary has tried to resurrect her moribund writing career by rebranding and marketing herself as an activist writer for neo-feminist causes. As has been my experience, and the experience of the many women she has callously mistreated, Delaware Mary is a proven charlatan and fraud as a feminist, and by trying to make herself the voice or face of that movement, will guarantee that it ends in epic failure. Delaware Mary's noxiously malignant narcissism and intellectual vacuity is toxic to everyone and everything she touches.

If you care about any issue, it would wise to be on the look out for people like Delaware Mary. The signs of a Delaware Mary are that they are pied pipers without an original thought in their head, who only speak to their own side and only tell their audience what they want to hear, never what they need to hear.

Delaware Mary's are only interested in basking in the glory of their own voice. Their infatuation with the sound of their own voice is also why they never have a remotely original thought or idea, all they do is simply regurgitate mainstream neo-liberal pablum and think because they are the ones saying it, that it's now clever.

The Delaware Marys of the world are a danger to the people who are serious about finding actual solutions to difficult problems because they will exploit any and all issues to further their career, inflate their own ego and sense of self-worth, and then shit out their shadow emotions on all those they deem disposable because they no longer feed the narcissistic beast residing where their conscience used to be. 

"I'VE BEEN CRYING OUT/ HOW BAD CAN A GOOD TIME BE?/ SHOOTING OFF MY MOUTH/ THAT'S ANOTHER GREAT THING ABOUT ME" - You're the Best Thing About Me off of the album Songs of Experience by U2

Maybe I am wrong about all of this, it wouldn't be the first time. Just like Lola and Lana, I am certainly not perfect either, as I sure as hell have my own blind spots, confirmation and unconscious biases and suffer from my own cognitive dissonance. And the objective reality may be that I am just an incorrigible asshole and my wife is a vicious bitch and we have been rightfully punished by Delaware Mary, Lola and Lana. Maybe their anger towards me is righteous and their vengeance upon my wife deserved. Or maybe not. It is impossible to tell since for a year and a half none of these women have had the testicular fortitude to actually engage in a discussion about it. Maybe if they had summoned the gumption to do so they could have pointed out the errors in my thinking, and converted me to their faith/cosmology.

Which brings us back to A Quiet Place and why the film resonated with me so much. The film dramatizes the struggle of our current age, which includes the battle over whether to allow people to speak freely even when they say something ugly or which offends you, and the authoritarian impulse to stifle that freedom of speech. While I and others have not been devoured by monsters or thrown in a gulag or concentration camp for reeducation…yet, we have been singled out, punished and ostracized for daring voice opinions that challenge conventional thinking and establishment orthodoxy. This belief that you have the right NOT to be offended combined with the compulsive need to surround yourself with only people that agree with you is ultimately a dangerous impulse that will only lead to further polarization that will fuel an ever hotter political conflagration between groups of extremists on both sides who refuse to see the humanity in the other.

I personally struggle to understand that sort of thinking, as I intentionally seek out writers who think differently than I do. My daily reading is an eclectic list that spans the political and philosophical spectrum. I actually enjoy reading writers with whom I disagree because it challenges me to think harder about what I actually do believe, and come up with a cogent defense of my opinions and a coherent counter-argument to those things with which I disagree. This seems to me to be a logical approach to life and learning and expanding one's knowledge base. 

For instance, just in this article alone I quote from Andrew Sullivan, Michelle Goldberg and Alexander, three people I vehemently disagree with from time to time. If I judged these writers only by what I perceive to be their errors, then I would stop reading them entirely and be disadvantaged because that would mean I'd stop learning from them as well. The same is true of Rene Girard and documentarian Adam Curtis whom I also reference, both are undeniably brilliant but not perfect. Should I cast all of their work away because I found some of it lacking or were offended by parts of it? That is foolishness and totally self-defeating. 

"I LIKE THE SOUND OF MY OWN VOICE/ I DIDN'T GIVE ANYONE ELSE A CHOICE" - All Because of You off of the album How to Dismantle and Atomic Bomb by U2

"I THOUGHT I HEARD THE CAPTAIN'S VOICE/ IT'S HARD TO LISTEN WHILE YOU PREACH" -Every Breaking Wave off of the Album Songs of Innocence by U2

The tactic of shaming those who dare to challenge our opinions, rather than debating them, or exorcising diversity of opinion instead of embracing it, will end in tragedy for those who fall under the spell of the echo chamber. Those that choose to be seduced by the warm song of the echo chamber will become like some perverse, masturbatorial version of Homer's Sirens, for they will be grounded upon the rocks by the hypnotically mesmerizing sound of their own voice. 

I think America is in the midst of a psychotic break and that liberals as a group have suffered a severe nervous breakdown after Trump won the election, and that Delaware Mary, Lola and Lana were swept up in that collective insanity. Obviously they won't ever read this because my writing/thinking is heresy to their neo-liberal dogma and for them to read it would result in eternal damnation, but I do hope that one day the collective insanity that has descended upon the American body politic subsides, and that people can actually engage in discussion once again. That said…I am not optimistic.

"DINOSAUR, WONDERS WHY IT STILL WALKS THE EARTH/ YEAH/ A METEOR, PROMISES IT'S NOT GONNA HURT, YEAH" - The Blackout off of the Album Songs of Experience by U2

"SOMETIMES/ THE END IS NOT COMING/ IT'S NOT COMING/ THE END IS HERE/ SOMETIMES" The Little Things That Give You Away off of Songs of Experience by U2

I think that Delaware Mary, Lola and Lana are symptoms of the disease of American culture. These women are poster children for the decadent, selfish, narcissistic, emotionalist, impulsive, vindictive and vacuous nation we have become. Unbeknownst to them, we are in the midst of a dramatic transition/transformation period in American and world history. Massive upheavals and changes are fast approaching…financial collapse, wars, civil wars, the fall of empires and a toppling of the world order. These women are symbolic of the collective in that, just like their willful blindness regarding Trump in the 2016 election, they prefer to keep their heads up their asses where they can enjoy the warm and dark embrace of the familiar no matter how much it stinks, rather than the cold hard reality of the world outside. Like smug dinosaurs before the meteor, they continue to bask in the arrogance of their ignorance, not knowing, and not wanting to know, the perilous fate that is hurtling towards them (and the rest of us) at breakneck speed.

"YOU'RE THE BEST THING ABOUT ME/ THE BEST THING THAT EVER HAPPENED A BOY/ YOU'RE THE BEST THING ABOUT ME/ I'M THE KIND OF TROUBLE THAT YOU ENJOY/ YOU'RE THE BEST THING ABOUT ME/ THE BEST THINGS ARE EASY TO DESTROY" - You're the Best Thing About Me off of the album Songs of Experience by U2

As for me, at the end of the day, all I can do and want to do is keep on trying to seek the Truth. I won't always succeed, and if history is any guide, I will fail considerably more than I succeed. But the attempt is an important one, especially in the kingdom of madness that is America. The best I can do now is to heed the advice of my good friend Bono, who told me the other night to go forth into this mad world with "Open eyes…open arms…open heart…and OPEN MIND". I wish Mary, Lola and Lana would take this sage advice as well, because then we might be able to mitigate the disaster that awaits us all by being the change we all desperately want to see in this insane world.

VIDEO LINK

 

©2018

Mayweather, McGregor and the Heart of Darkness

Estimated Reading Time : 6 minutes 32 seconds

Many moons ago, in my mis-spent youth as a tortured Catholic high school student, I had to do a book report on Joseph Conrad's Heart of Darkness for my English class. I was a deplorable student, ranked last in my class, so having to get up in front of everyone to give an oral report on a book I didn't want to read was something that filled me with dread. 

Luckily for me I discovered that my favorite movie at the time, Francis Ford Coppola's Apocalypse Now, was loosely based on Conrad's novel. This gave me an in with the book and actually inspired me to read it, which was a big deal for me at the time as I almost never read books. I ended up really loving Heart of Darkness, and was so glad that Apocalypse Now was my rough guide to the book. 

As I prepared for my oral report, the newspaper (Unlike books, I did read the newspaper, well…at least the sports section) was filled with stories on the build up to a prizefight between Sugar Ray Leonard and Marvelous Marvin Hagler. I had been a huge boxing fan since I was a little kid, watching fights on Saturday and Sunday when the regular networks would air them. It was a golden age of boxing back then, at least for the lighter weight classes, and as I devoured the fights of some of the greats, Leonard, Hearns, Hagler, Duran, Argeullo, Pryor, Mancini etc., I developed an appreciation not only for the art of boxing, but for it's mythic and archetypal power. 

The mythic and archetypal power of boxing was on full display in the Leonard - Hagler match up. Hagler was the undisputed middleweight champion of the world and considered one of the baddest men on the planet. Leonard, the golden boy, was an Olympic gold medal winner and a multiple time welterweight champion and was coming off a three year retirement in part due to an eye injury.

Hagler and Leonard were very different fighters and people. Hagler was an ominous and foreboding, no nonsense fighter with a shaved head and perpetual scowl, whereas Leonard was an athletic, flashy, handsome, charming, and camera friendly fighter who said and did all the right things. 

I was a Leonard fan, I loved the way he fought and how he carried himself. To me, Hagler was overrated, having fought in a weak weight class (middleweight) and, unlike Leonard, never having the courage to step out of his comfort zone to find top flight talent in other divisions to fight. I lived in Boston at the time of the fight and Hagler was from Brockton, Mass. so I was surrounded by Hagler fans, and as anyone can tell you, there are no more obnoxious fans than Boston sports fans, and I was mocked continuously for my support of Leonard.

In the lead up to the fight, there were stories in the paper about how awful Leonard looked in his training camp. He looked off, and old and out of shape. He got knocked down repeatedly in sparring sessions and Boston sportswriters openly worried that Hagler may really hurt Leonard, so much so that they worried for his life. I didn't believe those stories, I had a hunch that Leonard was working an angle and was getting into Hagler's mind, but I did find that  "his life may be in danger" narrative intriguing. The idea that Ray Leonard was going into the ring to literally (and mythically) fight for his life against this superior, seemingly invincible opponent, one that is symbolic of his psychological shadow, made me think of Heart of Darkness and its protagonist Charles Marlow who goes up the river deep into Africa to face Kurtz, who embodies Marlow's, and mankind's, shadow.

So now that I had not only my favorite movie, Apocalypse Now, but my favorite fighter, Ray Leonard, to draw on for inspiration, I wrote up my book report and prepared for my oral presentation. To me the hook was pretty simple, that the story of Heart of Darkness was not some remote thing to look back upon, but was integral in people's lives today, in the here and now. We are all Marlow/Willard/Leonard who must make the journey up the river or into the ring to face our shadow.

The Leonard - Hagler fight was on a Saturday night, I gave my presentation the following Monday morning. I was beaming because I had been right in my prediction of a Leonard victory, with Sugar Ray winning a "marvelous"  12 round split decision, and my classmates were fuming and pretty angry about it. As I gave my presentation I felt their wrath as they laughed at me and mocked me unmercifully. To be fair, as I said, I was not the sharpest knife in the drawer, so whenever I did anything in school it was expected that people would laugh at me, but still, this time it really stung because I was so invested. As I finished my report I still felt pretty good about what I had written, I thought it was easily the best thing I had ever done, and I was proud of the amount of work I had put into it and the fact that I had the insight to  "crack the code" of Heart of Darkness and make it relevant even to the lives of the dopey kids in my class. While my classmates mocked me, I thought my teacher would see my genius, or least be appreciative. 

After I finished, my teacher, a middle aged crone of a woman whose name I thankfully cannot remember (my psyche no doubt protecting me), came up and sneered to the entire class that she couldn't believe I brought up "that stupid fight" and how "maybe I should stop watching movies and read a book" for once in my life. I was crestfallen, but as is my nature, I was not made mournful by my teacher's rather mean-spirited criticism, instead I let the rage inside of me grow and pulsate to such a degree that, like my mythical Irish forefather Cuchulainn, I must've been burning a bright fiery red that no cold sea could douse.

The teacher, in all of her academic wisdom, gave me a "D" for my paper, no doubt deciding giving me an "F" may very well result in a life-threatening incident that just wasn't worth the risk. What made me the most angry about this situation was not my grade, or the teacher's insults or my fellow students belittling laughter, what bothered me was that I had written a piece that was actually quite brilliant, if I do say so myself, and well beyond my teacher's limited intellect and mind. She thought I was a moron, and maybe rightfully so, but the truth was that she didn't understand my report not because I was a fool but because I was speaking in a language, that of myth and archetype, of which she was illiterate. Despite a "D" being vengefully written in red ink on my paper, if I had the sense to have kept it, it would be something that I am sure I would be proud to this day.  

You may be asking yourself, "what the hell does your 'stupid' book report and the Leonard -Hagler fight have to do with anything?" Great question. What it has to do with is that this Saturday night Floyd Mayweather and Conor McGregor square off in a boxing match in Las Vegas, and the build up to this fight has reminded me of that time back in 1986 in the lead up to the Leaonard - Hagler fight. While I think  Mayweather - McGregor is a cynical money grab, so much so that I, a big fight fan, will not be watching it, preferring to save my hard earned money for the much more worthy Canelo Alvarez - Gennady Golovkin bout next month, that doesn't mean that Saturday night's fight has no mythic value at all, it does, you just have to look really hard for it.

In the fight on Saturday, we have a great fighter, Floyd Mayweather, who is 49-0 as a boxer and is considered one of the best, if not the best, boxer of his era, taking on Conor McGregor, a man who has never boxed professionally and is treated by boxing professionals like the novice that he is. McGregor is an overwhelming underdog, and every boxing expert is picking Mayweather to destroy him, much like Hagler was the big favorite in 1986 and Leonard the afterthought.

McGregor has never boxed before but he is no joke as a fighter, for he has made a name for himself fighting and winning titles in Mixed Martial Arts with the UFC. McGregor is a champion MMA fighter, and if this fight were in an octagon or in the street, Conor would beat the living hell out of Floyd in no time at all, but sadly for McGregor, this fight is in a boxing ring.  

All of that said…there is one thing intriguing about this fight. Mayweather is such a heavy favorite, and deservedly so, that the narrative surrounding the fight has a familiar ring to it. There is talk of McGregor being in danger of getting really hurt, of how he has zero chance to win and how this is all a sideshow and Mayweather is unbeatable. Sound familiar? To me, it sounds exactly like the build up to the Leonard - Hagler fight. Although, to be fair, the similarities between Leonard and McGergor are nonexistent, as Leonard was one of the most accomplished boxers of his time before squaring off with Hagler, but the mythic narrative being set up for Mayweather - McGregor is somewhat reminiscent of Leonard - Hagler.

The similarities between Mayweather - McGregor and Hagler - Leonard strain and crumble under closer inspection, but there is another competition that has a mythic narrative around it that is eerily reminiscent of the Mayweather - McGregor fight...the presidential election last November between Hillary Clinton and Donald Trump. 

One of the things this fight and the election have in common is that there is no hero, as both the participants, Mayweather and McGregor, are pretty loathsome individuals, just like Hillary and Trump. This is not one of those classic, Ali-Foreman, good vs evil type of stories, so much as it is an evil versus evil story. If the villain from Rocky III, Clubber Lang, and a cross between the villain in Rocky IV Ivan Drago and Rocky V villain Tommy Gunn fought, then this would be its equivalent. The loud mouthed, woman beating, money hungry Mayweather fighting the loud mouthed, untested, money hungry McGregor is not exactly a fight that will pique the archetypal impulse in the collective.

Of course, somewhat like the election with its gender battle, with this fight there is the race factor as Mayweather is Black and McGregor White. But again, while a Black man fighting a White man is usually good for tapping into mankind's uglier instincts, in this case there is no "good guy" to cling to on either side so it is much less compelling as a racial drama then say, the Jack Johnson - Jim Jeffries "Great White Hope" fight in 1910, or even the Larry Holmes - Gerry Cooney "Great White Hope" fight in 1982. As we learned in the Clinton-Trump election, naked appeals to gender, or in the case of this fight, race, just don't cut it when both combatants are so terribly unlikable. 

And finally, this fight is similar to the election because one of the participants is a neophyte. McGregor has never boxed professionally just like Donald Trump had never run for elected office prior to running for president. McGregor and Trump's inexperience led experts to conclude that for their opponents, the consensus establishment picks Hillary and Mayweather, victory was inevitable. Well, in Hillary's case her victory certainly was inevitable, until it wasn't.

Every boxing expert I have read, and every person I have talked to, believe Mayweather will win easily. On paper he certainly should have an easy go of it on Saturday. Mayweather is as smooth, skilled and precise a fighter as we have seen in this generation. His technical proficiency is beyond question. He most definitely SHOULD win easily. But as Hillary Clinton learned last November, SHOULD ain't got nothing to do with it.

Conor McGregor has a tiny thing going for him heading into this bout…he is the unknown. No one knows if he can actually box, or if he can even withstand a single round with Mayweather, who it is doubtful has the ability to knock him out, but most certainly does have the ability to carve him up and humiliate him.

McGregor also has one other thing going for him, he has nothing to lose. If he loses this fight, and even if he is embarrassed, he just collects his money, says "hey, I'm not a boxer, but I am rich" and goes back to MMA. Floyd on the other hand, simply cannot lose. If Floyd loses, his ego and self-image are destroyed, his Self is annihilated. Floyd cannot even contemplate losing this fight, it is too great a fear for him to ever touch upon it. In this match-up, much like Hillary in the election, Floyd is the psychologically brittle one, and this is why I think the fight will not go the way the experts think it will.

My years of watching, studying and training in boxing and martial arts tell me that Floyd Mayweather should trounce Conor McGregor…BUT…there is something in the air, the same thing that was in the air on April 6, 1987 when Leonard beat Hagler, and in the air in February of 1990 when Buster Douglas beat Iron Mike Tyson, and when in June of 2016 Brexit stunned the UK and last November when Trump shocked the world.  The impossible is now possible, anything can happen, just last year the Cubs won the World Series and the Patriots came back from the largest defect in Super Bowl history (down 25 points in the 3rd quarter) to win the Super Bowl. In our current time, up is down, left is right, Donald J.Trump is president and cats and dogs are living together. Crazy things are happening and I think some crazy things are going to happen Saturday night in Las Vegas (besides the usual crazy things that happen in Las Vegas).

In the turbulent age in which we live, we must expect the unexpected, which is why I think Conor McGregor wins the fight Saturday night. I think that either Conor McGregor knocks Floyd Mayweather out in the most stunning fashion imaginable, or the fight goes all 12 rounds and Mayweather wins on points. But even if Mayweather gets the decision, it will be Conor McGregor who will have "won" the fight just by going the distance. 

God knows Conor McGregor is no Ray Leonard, nor is he Charles Marlow or Captain Willard, but just like Floyd Mayweather he is going into the heart of darkness Saturday night, and while both men will face their shadows, I think Mayweather, like Hillary Clinton, is psychologically unprepared to come face to face with the deepest and darkest fear that dwells within him. McGregor will overcome his shadow, and Mayweather, and teach us once again that we know nothing, especially those of us who consider ourselves experts. 

I know, I know, it's crazy for me to pick the underdog McGregor against such overwhelming odds, but just like Conor McGregor, I have absolutely nothing to lose (except the mortgage payment and maybe getting a "D" on this blog post), which is the exactly why he will win. 

UPDATE : I was wrong.

GRADE : D-

©2017